Eye Filmmuseum is pleased to announce that the call for the Traineeship Programme “Film Restoration” and “Film Collection” for starting film restorers and film collection specialists is now open.
With these two traineeships, Eye aims to build a bridge between academic training and hands-on daily practices. This programme is designed to educate a new generation of film restorers and film collection specialists and seeks to facilitate their transition into the labour market.
Applicants are invited to send in their applications by July 1st, 2022.
During this pandemic, Film Archiv Austria has been offering its audience with HOME CINEMA the possibility of broad access to Austria’s film heritage free of charge, including key works of the feature film, weekly news reports, rare documentary and amateur recordings or, in some cases, historical film documents that are being viewed for the first time. The selection is carefully curated and accompanied by essays and other works.
This time, the film archive wants to celebrate the 125th anniversary of the first film screening, which took place in Vienna on March 20, 1896. The first apparatuses projected moving pictures onto the screen and so it began: with ively manifestos of pure curiosity and a new visual culture that reflect the pioneering and inventive spirit of this time in their unrestrained creativity and fantasy.
The Filmarchiv Austria looks back on the first years full of marvel until April 21 and invites you to a festival of curiosity with selected collections. The program of the digital home cinema changes weekly. You can click hereto discover the collections and hereto read the Digitorial.
The Russian Film Archive Gosfilmondand the portal Cultura.RU have announced the start of a joint project called Open Collection. For this project, employees of the scientific department of the State Film will prepare more than 20 rare films for publication each month.
Elena Filatova, General Director of the State Film Fund of the Russian Federation, says that the Open Collection project will let audiences meet rare examples of Soviet and Russian cinema, many of which until recently could only be viewed by researchers until now.
26/02/2014 – This year’s FIAF Film Restoration Summer School will be held in Bologna from 28 June to 18 July.
Since 2007 Cineteca di Bologna – in collaboration with FIAF, ACE and the EU MEDIA Programme – has been hosting the FIAF Film Restoration Summer School. It is designed both for archivists and staff working at FIAF archives, and students. The main purpose of this training programme is to foster knowledge in the field of film restoration and conservation. Selected participants will meet meet experts from all over the world, as well as the Laboratory and Cineteca staff.
The programme is divided in 3 sections:
ON-LINE DISTANCE LEARNING
We are glad to announce that FIAF and ACE will grant a number of scholarships for the Film Restoration Summer School 2014:
FIAF grants 3 scholarships of € 1.000 each ACE grants 3 scholarships of € 750 each
18 June 2013 – With the advent of the Digital, the cinema industry is undergoing a fundamental change. As films are being made in a new way, they will have to be archived in a new way: Digital film has to be archived digitally. Film archives need to be well prepared to react on these changes. For this purpose, ACE has conceived a series of workshops aiming at exchanging best practices and finding solutions how these challenges can be met on a strategic, economic and practical level.
The two half-days workshop “Collecting, Conserving and Exhibiting in a Digital World” will discuss strategies and best practices of digital archiving, setting up digital workflows, new ways of exhibiting film, preservation and training needs and how to share information, services and content.
It will be held on 4th and 5th July during Il Cinema Ritrovato Festival at the Grand Hotel Majestic, Bologna.
29 August 2012 – Presentations made at the ACE workshop “A digital agenda for film archives”, held on 28 June in Bologna, are now available online. 26 experts from 18 European countries discussed the practical, financial and political impacts of digital archiving. It was the 1st in a workshop series called “Management strategies for film archives in the digital era”, which will be continued in 2013.
4 June 2012 – With the entire film industry changing to digital, film archives need to be well prepared if they want to collect, preserve and show both analogue and digital formats. Based on the recommendations of the “ACE Position Paper on the Digital”, ACE is organising a series of 3 – 4 workshops for (higher) management staff of the ACE member archives to discuss strategies how these challenges can be met. The workshops are conceived as forums to discuss the intellectual and practical requirements which come along with digital archiving. The aim is to pool together competences and expertise already existing in the ACE member archives in such fields as archive technology and strategic planning (digitisation planning, training, funding, etc.).
The first workshop, which starts with a general outlook and focuses on the results of the Study “Challenges of the Digital Era for Film Heritage Institutions”, will be held during the Il Cinema Ritrovato Festival in Bologna on Thursday, 28 June 2012. Registration is open to management staff from the ACE member archives. For further information and to register, please see the draft programme.
The second workshop, dedicated to training in digital workflows and digital preservation, will take place at the Danish Film Institute later this year or early 2013. Further workshops will be scheduled and announced in due time.
8 March 2012. During the EFG1914 kick-off meeting on 27/28 February, more than 40 representatives from the 25 partner institutions came together in the German Film Museum in Frankfurt am Main. Among others, film archives from France, Germany, Austria, Hungary, Serbia, Italy, Belgium, Denmark and the Netherlands will digitize up to 650 hours of film – newsreels, documentaries, propaganda and anti-war films – from and about World War I, and make the digitized collections available online through the EFG Portal www.europeanfilmgateway.eu and Europeana (www.europeana.eu). With the Imperial War Museums in London, probably the largest institutional World War I related film collection is part of the project. The films are expected to become available over the next two years, just in time for the 2014 centenary. With EFG1914, a major European co-operation project enters a new phase: During the last three years (2008-2011), The European Film Gateway became a frequently used web portal for finding films and film-related material from the film archives and cinémathèques of Europe, making available more than 500.000 objects to date. Apart from EFG1914, currently two other projects from the Europeana Group are dealing with WWI: Europeana 1914-1918 collecting family memorabilia and Europeana Collections 1914-1918 making available material from national library collections. EFG1914 is co-funded by the Community programme ICT-PSP. Read the EFG1914 press release (en); french version Find more about EFG1914 and its project partners on www.efg1914.eu
4 May 2012 – The 5th edition of the Film Restoration Summer School / FIAF Summer School will take place in Bologna from June to July 2012. The project is organised and hosted by Cineteca di Bologna in collaboration with ACE and FIAF. The main objective of the Summer School is to teach and update participants on how to restore and preserve a film through the use of photochemical and new digital technologies. It is designed for both for archivists and staff working at FIAF archives, and students. For the Festival Edition 2012, ACE awarded a scholarship to five applicants.
Programme and timetable 2012 On-line Distance Learning: 9 May- 20 June (on Wednesdays) Theory Classes: Bologna, Il Cinema Ritrovato Film Festival, 23 – 30 June Restoration Practice: Bologna, 2 – 13 July During the internship, participants are supervised by international experts and laboratory staff to put into practice what they learned during their first week of theory.
Please find more information, the full programme and the list of the 36 selected participants here.
The final report of the Study on a Digital Agenda for European Film Heritage is available on-line. The Study was launched in January 2011 to assess the impact of digitisation for European film archives. It has been conducted by peacefulfish Productions Ltd, subcontractors were Red Cat Technologies, the University of Helsinki/IPR University Center and the external expert Nicola Mazzanti. Read the full report. More information on the DAEFH study