For some 26 years, the Cinémathèque française has nurtured a unique international film education programme called Le Cinéma, cent ans de jeunesse. Born in the centenary of cinema, the programme has evolved over many years into the longest established, and many would argue, the foremost film education programme in the world. After supporting it for so many years, the time has come for the Cinémathéque française to hand it over to a bigger group of organisations to take responsibility for the next phase of its extraordinary life.
What is the programme?
CCAJ began as an initiative of Alain Bergala, French cineaste, theorist and educator, and Nathalie Bourgeois, Head of Education at the Cinématheque française, in 1995. From the beginning film archives have played an essential role in this program.
The participants include ‘cultural partners’ cinematheques and film initiatives, who co-ordinate workshops in a country or region; teachers, educators, and filmmaking professionals who run project workshops; and the learners themselves, children and young people aged between the ages of 7 and 18.
Das DFF – Deutsches Filminstitut & Filmmuseum e.V. sucht zum nächstmöglichen Zeitpunkteine Kuratorische Leitungder Sammlungen–Abteilungsleitung Non-Film-Archiv (m/w/d)
Leitung und kuratorische Betreuung der Sammlungendes DFF an den Archivstandorten in Frankfurt am Main und Wiesbaden(Non-Film-Archiv/filmbezogeneNachlässe, Bibliothek, Bild-, Plakat-, Musik-und Textarchiv)
Fachaufsicht und strategische Mitverantwortung bei der Erschließung der Sammlungen und Verfügbarmachung der Bestände(analog und digital/virtuell)
Weiterer Ausbau des Sammlungsbestandes – Überprüfung und Erweiterung der Sammlungen, Hinzufügen verschiedener Perspektiven und breitere Repräsentation verschiedener Filmemacher:innen
Aufbau und Pflege von Kontakten zu nationalen/ internationalen Filmschaffenden, Zusammenarbeit im nationalen Verbund der Kinematheken und Filmarchive
Planung, Konzeption und Kuratorium sammlungsbezogener Ausstellungen. Entwicklung, Redaktion von Publikationen (analog und virtuell)
Entwicklung von öffentlichen Programmen zur Erhöhungdes Engagements von Interessenten und potentiellen Unterstützern für die DFF-Sammlungen
Führungen, Archivgespräche, Einbindung in die Aktivitäten des DFF und seiner Projekte
Beantwortung der zahlreichen internen und externen Nutzungsanfragen an das Non-Film-Archiv bzw. deren Delegation innerhalb der Abteilung
Personalführung und -entwicklung
Management, Organisation, Administration und Budgetverantwortungin enger Absprache mit der Direktorin
Lichtspiel / Kinemathek Bern joins the second edition of A Season of Classic Films with a compilation of unique short films that takes viewers to a journey to the various regions of Switzerland. The compilation consists of eight newly digitised films, presenting aviation pioneers in the 1920s to progressive women in the 1960s. The films will premiere on Thursday 2 September at 20:00 CEST in a special free-admission event at Lichtspiel’s premises in Bern and via live stream with English subtitles. An introduction by Brigitte Paulowitz, Head of Film Collections and Restorer at Lichtspiel, will provide the context to the films.
A Season of Classic Films is an initiative of the Association des Cinémathèques Européennes (ACE) with the support of the EU Creative Europe MEDIA programme to raise awareness of the work of national and regional film archives, connecting the public with cinema history and the preservation of film heritage. Twenty-two European film institutions are taking part this year offering free access to films from their precious collections. This screening is organised by Lichtspiel / Kinemathek Bern.
Reise durch die Schweiz (Travel through Switzerland) | Switzerland, 1920-1961, 102′
Basler Flugtag. 12. September 1920. Advertisement, 1920, 9’, silent.
Cinemateket / The Norwegian Film Institute joins A Season of Classic Films with the restored film Ung flukt (Edith Carlmar, 1959), a teen rebellion drama with Liv Ullmann in her debut role, with a free special cinema screening event on Wednesday 25 August at 18:00 CEST at Cinemateket in Oslo, while the film will be free-to-view worldwide between 26 August and 2 September, with English subtitles.
The digital restoration was carried out by the National Library of Norway in 2018 and has drawn attention internationally to the work of Edith Carlmar, the number one female director in Norwegian post-war cinema. Carlmar was not only Norway’s first female director, but she made what is considered to be the country’s first film noir (Death Is a Caress). Together with her husband Otto Carlmar, she founded the film company Carlmar Film AS, where he produced and she directed one brilliant film after another. She directed ten films in ten years and Ung flukt is her last feature film.
Speaking about the restored film, Head of Cinemateket Jan Langlo said, “The restored version of Ung flukt (The Wayward Girl) was selected for Berlinale Classics in 2019. This generated quite a lot of interest in both this film and other films by Edith Carlmar, and there are several retrospectives of her films being planned at international festivals in 2021 and 2022. New viewers recognise Ung flukt as a surprisingly vital film, with a vibrant Liv Ullmann in her screen debut.”
A Season of Classic Films is an initiative of the Association des Cinémathèques Européennes (ACE) with the support of the EU Creative Europe MEDIA programme to raise awareness of the work of national and regional film archives, connecting the public with cinema history and the preservation of film heritage. Twenty-two European film institutions are taking part this year offering free access to films from their precious collections. This screening is organised by Cinemateket / The Norwegian Film Institute.
Ung flukt (The Wayward Girl) | Norway, 1959, 95′
Director: Edith Carlmar. Producer: Otto Carlmar. Cast: Liv Ullmann, Atle Merton, Rolf Søder, Nanna Stenersen, Randi Brænne, Tore Foss. Physical characteristics of first release: 35mm, 95’, B&W, mono sound, Norwegian. Film copy screened during A Season of Classic Films: DCP, 95’, B&W, sound, Norwegian. Available subtitles: English. Copyright: Norwegian Film Institute.
Ung flukt is based on a book by Nils Johan Rud and tells the story of 17-year-old Gerd, the illegitimate daughter of a single working mother. Gerd, played by Liv Ullmann in her first lead role, has fallen into delinquency. After she spends a brief stint in police custody, Gerd’s boyfriend, a student, disobeys his parents and takes her away to the country to protect her from bad influences.
Wednesday 25 August, 18:00, Cinemateket Dronningens gate 16 0152 Oslo. With English subtitles. Introduced by Hege Jaer, Curator at Cinematek. Reserve your free ticket here!
Thursday 26 August – Wednesday 2 September. Watch free online here, worldwide access, English subtitles.
Cinémathèque suisse will present the new 4K restoration of Derborence, a landmark work by the Swiss filmmaker Francis Reusser (1942-2019), during two free special screenings, one at the Locarno Film Festival (12 August) and one at the Festival international du film alpin des Diablerets (14 August).
The digital restoration was carried out by the Cinémathèque suisse in the Color Grade laboratory, with the support of RTS. The special free screening events are offered by A Season of Classic Films, an Association des Cinémathèques Européennes (ACE) initiative with the support of the EU Creative Europe MEDIA programme and in partnership with Cinémathèque suisse.
Twenty-two film institutions from all over Europe, including the Cinémathèque suisse, are taking part this year in A Season of Classic Films. The initiative offers free access to restored European films, connecting the public with cinema history and the preservation of film heritage.
Derborence | Switzerland/France, 1985, 99′
Director: Francis Reusser. Producer: Jean-Marc Henchoz, Claude Stadelmann. Cast: Isabel Otero, Jacques Penot, Maria Machado, Jean-Marc Bory, Bruno Cremer. Music: Maria Carta / Sound Design: François Musy / Cinematography: Emmanuel Machuel / Film Editing: Christine Benoît and Francis Reusser / Production Design: Jean-Marc Stehlé / Costume Design: Rose-Marie Melka. Physical characteristics of first release: 35mm, 99’, colour, sound, French. Film copy screened during A Season of Classic Films: New restoration. DCP, 99’, colour, sound, French. Copyright: Les productions JMH, Marion’s Films, Sagittaire production.
The lives of two newlyweds, Antoine, an alpine shepherd, and Thérèse, are overturned when a landslide swallows the mountain pasture where Antoine is working. Believed to be dead by everyone, Antoine suddenly returns home. In this adaptation of Charles Ferdinand Ramuz’s novel, Francis Reusser has crafted a sensual alpine western, which competed in Cannes in 1985 and received the César for the best French-language film the following year.
Thursday 12 August, 15:00, PalaCinema 1, 74 Locarno Film Festival. With English subtitles. Introduced by Emmanuelle de Riedmatten, Jean Reusser and Frédéric Maire. Reserve your free ticket here!
Saturday 14 August, 13:30, Festival International du Film Alpin des Diablerets (FIFAD 2021). Closing screening event, more information here.
Cinema is global, as is cultural heritage. Both have recently been insulted, humiliated and seriously damaged by the Brazilian authorities. Beyond any question, the government should be held accountable for leading the Cinemateca Brasileira into such a crisis which has culminated in the fire of the Cinemateca’s vaults on 29 July 2021.
Fires are always a tragedy, no matter to whom they happen. However, no organization, public, state, or private, responsible for the care of collections of cultural value should be plunged into such a crisis like we have been following in Brazil. This recent fire is number five in the history of this Brazilian film heritage institution and the most devastating one.
Cinemateca Brasileira is a much-respected member of the family of film archives. Since last June, representatives from numerous film heritage institutions from Europe and the World have expressed their concerns regarding the future of this respected institution. We, international representatives, can attest that the management and staff of Cinemateca Brasileira are the last who should be considered accountable for this disaster. We have known this for far too long. The federal government has been treating the Cinemateca with such disregard that in 2020 the institution became starved: funds were frozen, the employees unpaid and fired, activities halted – including conservation of the collection. The government took over the administration of the Cinemateca, with no one in charge of these fundamental responsibilities.
On Friday July 30th at 10.00 GMT (at 10:00 PDT for international attendees), the British Film Insitute will unveil a major new redesign and editorial approach for the film magazine Sight and Sound, with an introduction by BFI Chief Exec Ben Roberts.
During the event an exclusive preview of the Sight and Sound’s special ‘Future of Film’ September issue will be shown. This issue marks Editor-in-Chief Mike Williams’s new vision for the magazine to build upon the legacy of the magazine and deliver culturally relevant, impactful film journalism, reflected in a new design, developed in collaboration with award-winning design agency Pentagram.
Williams will also reveal the stars featured on the cover of the September issues, alonside a series of established and emerging filmmakers who will be reflecting on their hopes and fears for cinema.
For those interested in received a complimentary copy of the launch issue, you can provide your mailing address when your RSVP. The event will take place at 10:00 GMT and again at 10:00 PDT for international attendees – please specify which launch you would like to attend when you RSVP.
RSVP right now by sending an email to firstname.lastname@example.org with the subject “Sight & Sound new look launch”
On Friday the 23rd, editor Camille Blot-Wellens and executive publisher Christophe Dupin delivered a presentation at Il Cinema Ritrovato on the newly expanded edition of Harold Brown’s Physical Characteristics of Early Films as Aids to Identification, following its publication in November of 2020.
The project, which was first proposed by Blot-Wellens in 2014, remains true in content and spirit to Harold Brown’s original edition, published by FIAF in 1990. In addition to preserving and clarifying his work with the integration of more than 900 images into the body of the text, and the inclusion of updated information in footnotes and a comprehensive index, the second section of the new edition is comprised of additional research, with a wealth of contributions from archivists specialising in film-identification.
A particularly valuable feature of the expanded text concerns the dating of film from specific production companies: Blot-Wellens and collaborators from a range of archives and cinematheques provide critical findings which enable the precise identification of film stock from AGFA, Pathé, Fuji, and other production companies by year.
Dupin began with a tribute to Brown, sharing details from his extraordinary life as a pioneer in archival preservation and film identification with attendees at Auditorium DAMS lab. From his post as an office boy at the BFI at just 15 years old, Brown would go on to be at the forefront of the creation of scientific film identification methods, a key player in FIAF’s Technical and Preservation Commissions, and an active educator, continuing to teach and publish even after his retirement. The expanded work is an extension of this remarkable legacy.
Additional remarks were made by Martin Koerber, head archivist at the Deutsche Kinemathek and author of the volume’s foreword, as well as Peter Bagrov of the Eastman Museum, whose essay, ‘Preliminary Notes on Soviet Nitrate Film Stock and Other Aids to Identification of Russian and Soviet Films,’ is included in the new edition.
Harold Brown’s Physical Characteristics of Early Films as Aids to Identification is available for online order throughFIAF and North American distributor Indiana University Press, as well as for purchase at the festival book fair in Bologna.
The 7th edition of Eye’s annual public lectures series This is Film! Film Heritage in Practice is the first one to be available online. With this series, Eye aims to interest a wider audience for issues related to the preservation, restoration and presentation of film heritage. Throughout 6 sessions, this edition focusses on the overarching theme of re-use and recycle of archival films from different perspectives. All lectures and Q&A sessions with guest speakers are available on YouTube. A selection of films screened during the sessions is available on the Eye Film Player.
Introduction by Giovanna Fossati (Chief Curator at Eye and Professor of Film Heritage at the University of Amsterdam). Q&A in collaboration with the Master students of the This is Film! class at the University of Amsterdam.
Giovanna Fossati, Chief Curator at Eye Filmmuseum and Professor Film Heritage and Digital Film Culture at the University of Amsterdam (UvA), will be one of the new members of the Academy of Motion Picture Arts and Sciences otherwise known as the Oscars. Fossati was selected in the category ‘members-at-large’ for her work in film preservation.
Since 1927, the Academy of Motion Picture Arts and Sciences has annually invited a select group of film professionals who have distinguished themselves due to their contributions to cinema to join the organisation. In line with Academy’s commitment to become more diverse and inclusive, this year’s new members originate from 49 countries outside the USA. 46% of the 2021 selection consists of women and 39% of minorities. In total, 395 new academy members have been announced.
Giovanna Fossati’s invitation to join the Academy constitutes major recognition of her work in the film archival field and, consequently, for Eye and its staff’s efforts to preserve, restore and promote film heritage.