New titles enrich the Eye Film Player’s selection. Recent additions are the films of Johan van der Keuken and The Forbidden Quest by Peter Delpeut.

Johan van der Keuken (1938-2001) was a man with an exceptional double talent, who filmed with a photographer’s eye and shot photographs with the eye of a filmmaker. Eye Film Player showcases the entire film oeuvre of Van der Keuken in the collection, from the classics Blind Kind (1964) and Beppie (1965) to his later work, including the now internationally celebrated documentaries, such as Amsterdam Global Village (1996) and The Long Holiday (2000). Eye Filmmuseum is currently devoting a major exhibition to the work of Johan van der Keuken (on display until February 5, 2023). Until February 5, Eye will publish two Van der Keuken films monthly on the Eye Film Player.

Eye Film Player is also the perfect place to discover The Forbidden Quest by Peter Delpeut, a magical story of the sole survivor of an expedition to the South Pole built with historical silent film footage. A compelling adventure film about murder, cannibalism and mystic salvation, a new digital restoration of the film by Eye is now available to watch free of charge worldwide. With films such as Lyrical Nitrate (1991), The Forbidden Quest and Diva Dolorosa (1999) Peter Delpeut –a former film programmer at Eye Filmmuseum– set a standard for working with archival sources. The old, restored pieces of film are presented as relics of history; their presence in the film archives inspires a stream of new narratives, representing a dynamic approach to the beauty of our filmed past.

The European Film Academy is broadening its scope and embracing European cinema from the classics to the contemporary to celebrate the rich and diverse film heritage of Europe. This will, of course, include the work of the honorary award recipients, such as the European Lifetime Achievement and the European Achievement in World Cinema awards, going in 2022 to Margarethe von Trotta and Elia Suleiman respectively. From this year onwards, it will also focus on special anniversaries or specific theme programmes all relating to European film.

For this reason, the European Film Academy has set up a new European Film Heritage department, led by Pascal Edelmann. As a first step, the European Film Academy has been building up a pan-European film heritage network, where cinematheques, film archives and institutions can share information on anniversaries of filmmakers, films, institutions, or specific themes relevant to the cinema history in the various European countries and regions. From now onwards, the Academy aims to actively connect various initiatives and make them much more widely known among lovers of European cinema.

22 New Places Added to “Treasures of European Film Culture”

As one of the new department’s first activities and in light of this year’s 35th European Film Awards, the Academy adds another 22 places to the TREASURES OF EUROPEAN FILM CULTURE, increasing the total number to 35. The Treasures is the Academy’s list of places of a symbolic nature for European cinema, places of historical value that need to be maintained and protected not just now but also for generations to come.

Matthijs Wouter Knol, Director of the European Film Academy: “Instead of limiting our work to organising the European Film Awards, the European Film Academy will embrace European film history and the people who have made European film what it is today. This will result in new projects with exciting partners, but also become visible in all programming we will do throughout the year: in our work for young audiences, in our awards ceremonies, and in new services we will start offering for our members.”

The European Film Awards’ ceremony will include as always an “In Memoriam” sequence, a tribute to all those colleagues who have passed away since the previous edition. If there are any filmmakers to include in the context who haven’t been mentioned to EFA so far, please send their names their way.

From 12 to 30 June 2022, the Deutsche Kinemathek mounted a Ukrainian film series in three German cities, including introductions and discussions. The project has been curated by Victoria Leshchenko and Yuliia Kovalenko, whose initiative sloïk film atelier provides a space for underrepresented voices and fosters them internationally. Funded by the Federal Agency for Civic Education.

Information is available in three languages (English, Ukrainian, German) for future iterations of the programme at other institutions.

Russian war rhetoric seeks to negate the existence of Ukraine’s own history and culture. Ukrainian cinema, however, has a rich history and has recently been experiencing a veritable boom, testimony to a vivid, independent film culture. This series provides a map of that film culture negotiating self-perceptions, discourses, and places in the country.

Further information: https://www.deutsche-kinemathek.de/en/ukrainian-cinema

Inquiries: ejochum@deutsche-kinemathek.de