The 7th edition of Eye’s annual public lectures series This is Film! Film Heritage in Practice is the first one to be available online. With this series, Eye aims to interest a wider audience for issues related to the preservation, restoration and presentation of film heritage. Throughout 6 sessions, this edition focusses on the overarching theme of re-use and recycle of archival films from different perspectives. All lectures and Q&A sessions with guest speakers are available on YouTube. A selection of films screened during the sessions is available on the Eye Film Player.
Introduction by Giovanna Fossati (Chief Curator at Eye and Professor of Film Heritage at the University of Amsterdam). Q&A in collaboration with the Master students of the This is Film! class at the University of Amsterdam.
Eye Filmmuseum is pleased to announce that the application for its traineeship programme “Film Restoration” and “Film Collection” is now open. With these two traineeships, Eye aims to build a bridge between academic training and hands-on daily practices. This programme is designed to educate a new generation of film restorers and film collection specialists, and seeks to facilitate their transition into the labour market.
Both traineeships will have a duration of 10 months and will start in September 2021. The trainees will be working in the Eye Collection Centre in Amsterdam-North: Eye’s expert centre for collection development, preservation, restoration, digitization and research – with facilities such as film and sound restoration ateliers, a scanning department, film vaults, and a research centre.
Throughout the programme, the trainees will follow different but parallel curricula, working with material from the Eye collection, and each following a project from start to finish.
Candidates can apply by sending a motivation letter (maximum one page) and a curriculum vitae to email@example.com by the 15th of June before 09:00 AM (CET).
For more detailed information and the Call for Applications, please visit Eye’s website.
As an aggregator of Europeana, the European Film Gateway will be represented at the Europeana Aggregators’ Fair that takes place on 16 and 17 June 2021 online. On 17th of June from 13:00–13:30 EFG staff invites interested colleagues to join the “EFG for beginners” session during which you can learn about and discuss the best and easiest ways on how to get connected and present your collections on the European Film Gateway and Europeana.
The Aggregators’ Fair web conference provides an opportunity for staff working at cultural institutions to learn more about how to bring their content to new audiences such as the educational sector, to meet the people who work behind the scenes to make cultural heritage available through Europeana and to receive guidance and training from experts in this field.
In September 2021 Eye will start a new traineeship program for young film conservators and collection specialists, that will last ten months providing the participants with insights in both theory and practice. This training has been made possible thanks to the Gieskes-Strijbis Fund and the Hendrik Muller’s Vaderlandsch Fund.
The program, starting in September 2021, will be supervised by Giovanna Fossati, Eye‘s Chief Curator and Professor of Film Heritage and Digital Film Culture at the UvA. The traineeship, set up in collaboration with Haghefilm Digital, offers accommodation for three years to two starting restorers and collection specialists (annually changing).
This spring, for the 6th FIAF Winter School, FIAF offers a short training course aimed at professionals in FIAF archives and beyond, in collaboration with the Cinémathèque française and the Fondation Jérôme Seydoux-Pathé. The theme of the course, taught by experienced professionals from the sector, is “Programming Film Heritage“. This edition will take place as an online even over the course of four half days, on Thursday 25 and Friday 26 February, Monday 1 and Tuesday 2 March 2020, right before the start of the 2021 edition of “Toute la mémoire du monde“, the international festival of restored film hosted by the Cinémathèque française.
The programme of this edition of the FIAF Winter School is available in English and in French. Every participant will be asked to take an active part in the event by submitting programmes as part of the FIAF programming game before the Winter School.
FIAF has decided not to charge any fee for this online edition. The number of participants have however been limited to 50, as in previous years. The selection will be made on the basis of the online form the participants have to submit.
The deadline for validating the online form is Friday 5 February. Selected candidates will be notified by email by Thursday 11 February at the latest.
UPDATE (30/06/2020): due to the uncertain context of the Corona Pandemic, the Digital Archive Summer School has been postponed. The new date is 6-10 September 2021.
This summer, for the first time ever, Filmuniversität Babelsberg KONRAD WOLF will organise the Digital Archives Summer School in collaboration with the International Federation of Film Archives (FIAF) and Deutsche Kinemathek Berlin. It is a 5-day, practice-oriented educational offer directed at staff members of audiovisual archives who are interested in enhancing their knowledge about digital environments and processes.
This first edition focuses especially on the subject of data literacy and presentation strategies. Lectures, seminars and exercises will explore subjects such as conversion, digital preservation, storytelling and visualisation.
The Fédération Internationale des Archives du Film (FIAF), the Association des Cinémathèques Européennes (ACE), Cineteca di Bologna and L’Immagine Ritrovata are eager to announce that the ninth FIAF Film Restoration Summer School will take place during summer 2020 in Bologna, confirming the good results of their long lasting cooperation. The application process will close on the 16th February 2020.
Since 2007 these institutions have been promoting an ideal of shared knowledge in the field of film restoration offering the opportunity to specialists, film archive staff and students to experience the complete restoration workflow through the use of photochemical and digital technologies in a two-decade experienced film restoration laboratory.
JTS is offering up to five travel grants for the upcoming Joint Technical Symposium in Hilversum (Oct 3-5).
JTS is committed to cultivating an environment in which includes a multiplicity of voices. Travel grants are open to everyone working in the field whose attendance will contribute to their professional and/or organizational development. Applicants will be asked to provide a short statement about the value of attending JTS.
Travel funding is limited and grants are not intended to cover all travel expenses. Please include the costs of your travel and registration as well as the amount of funding requested.
Applicants will be asked to submit a statement (not more than 750 words) addressing the need for the award and how JTS will contribute to their professional development and/or that of their institution.
Applicants will be asked for an estimated budget for costs of travel (transport and lodging) as well as the total funds requested for the grant.
Applicants will be asked to upload their CV/Resume as well as a Letter of Recommendation from a senior manager or supervisor.
Grant recipients will be expected to attend the full conference as well as submit a post-conference report outlining their experience and any outcomes of the conference.
Registration is open for a full week of audiovisual archiving knowledge and experience sharing: both the International Association of Sound and Audiovisual Archives’ 50th Annual Conference and the Joint Technical Symposium, stewarded by the Coordinating Council of Audiovisual Archiving Associations, will be taking place at the Netherlands Institute for Sound and Vision in Hilversum from September 30 – October 5. We’re happy to announce that registration for both events is now open! Save your seat for both or either event at 2019.iasa-web.org and jts2019.com.
#IASA50: IASA will be returning to the country of its birth, as the association was established in 1969 in Amsterdam to function as a medium for international co-operation between archives that preserve recorded sound and audiovisual documents. The preliminary programme is available at http://2019.iasa-web.org/programme. Do visit the conference website for more information about the conference, such as the programme, venue, travel advice, social events, information on workshops and tutorials, professional visits and other details: http://2019.iasa-web.org/. Please note that the “early bird” registration rate ends on September 2, 2019.
#JTS2019: JTS is the international scientific and technical symposium dealing with matters of particular importance to audiovisual archives and archivists. It provides an opportunity for audiovisual archiving experts from different backgrounds to come together, share new and upcoming technical advances in our field, and take positions that go beyond the boundaries of specific formats or domains. It is an occasion to inform each other about what’s going on in our field and seek cross-fertilization. Organized every few years since 1983 by the various audiovisual archives associations now forming the CCAAA, it provides an opportunity for colleagues around the world and those interested in the field to meet and share information about the preservation of original image and sound materials. Keep an eye on the website for updates: jts2019.com
We look forward to welcoming you in The Netherlands!
Natalie Meijers Communications & Outreach
Netherlands Institute for Sound and Vision Media Parkboulevard 1, 1217 WE Hilversum Postbus 1060, 1200 BB Hilversum | beeldengeluid.nl
ACE workshop during Il Cinema Ritrovato Festival, Bologna
Tuesday 25 June, 2–5 p.m., MAMbo, Museum of Modern Art, via Don Giovanni Minzoni 14
In 2008 ACE started the European Film Gateway (EFG) project, linked to Europeana, as the first project to make our film heritage available online. The project confirmed the importance of metadata, and highlights its interoperability. The second step for ACE was the EFG / World War I project, a curatorial project for our film collections online. At this stage, more than 53,000 videos (videos, not films!) are available.