From 21st to 26th September, the National Film Institute is organizing – for the fourth time – Budapest’s largest international film event, Budapest Classics Film Marathon. During the six days of the festival, audiences can watch more than 70 recently restored classic films in five themed blocks at various venues around the capital. To the delight of Budapesters, the square in front of St. Stephen’s Basilica is once again being transformed into a free open-air cinema on four evenings.
National Film Institute celebrates 120 years of Hungarian film with several large-scale events this year. The Hungarian Motion Picture Festival was brought to life this summer, the exhibition Wide Angle in Ludwig Museum is a broad-ranging overview of Hungarian film history (open until mid-November 2021), and the opening gala of the 4th Budapest Classics Film Marathon in Uránia National Film Theatre on the evening of 21 September is similarly a celebration of this important anniversary. At the gala there will be a screening – in a selection made up Lumière films from 1896 – of the first film footage shot in Hungary; an animation documentary made about the birth of the first Hungarian film, A táncz (The Dance), and the digitally restored (2K) version of Sándor Korda’s cult silent film from 1918 Az aranyember, with musical accompaniment composed by Bence Farkas and performed by Győr Philharmonic Orchestra.
“This year is very special because we have the opportunity to celebrate several anniversaries that are important from the aspect of the history of Hungarian film. Cameramen of the Lumière brothers shot the first footage in Hungary 125 years ago, the first directed Hungarian film debuted 120 years ago, and 90 years ago Hungarian sound film was born, the first triumph of which, Hyppolit, a lakáj (Hyppolit, the Butler), remains enormously popular even after the passage of nine decades. In 2017, when we launched the Budapest Classics Film Marathon, we undertook to showcase Hungarian film history, the impact of Hungarian filmmakers on global film history, and the great classics of universal film history on the big screen. To achieve this goal, we called on the family of international film archives, which since then have continuously sent their restored precious films to the Film Marathon. This year, we are once again inviting all lovers of cinema on an exciting journey through time from the era of silent films to recent decades, thus paying tribute to the talent of great filmmakers and artists.”
– György Ráduly, Director of National Film Institute Hungary – Film Archive
The goal of the Classics Film Marathon is to spotlight the values of Hungarian film and present the treasures preserved in European archives to a Hungarian audience. This year the Marathon showcases newly restored classics and film rarities in five blocks: Hommage, In Focus, Hungarians in Hollywood, Hungarian Eye, Open Archives.
Das DFF – Deutsches Filminstitut & Filmmuseum e.V. sucht zum nächstmöglichen Zeitpunkteine Kuratorische Leitungder Sammlungen–Abteilungsleitung Non-Film-Archiv (m/w/d)
Leitung und kuratorische Betreuung der Sammlungendes DFF an den Archivstandorten in Frankfurt am Main und Wiesbaden(Non-Film-Archiv/filmbezogeneNachlässe, Bibliothek, Bild-, Plakat-, Musik-und Textarchiv)
Fachaufsicht und strategische Mitverantwortung bei der Erschließung der Sammlungen und Verfügbarmachung der Bestände(analog und digital/virtuell)
Weiterer Ausbau des Sammlungsbestandes – Überprüfung und Erweiterung der Sammlungen, Hinzufügen verschiedener Perspektiven und breitere Repräsentation verschiedener Filmemacher:innen
Aufbau und Pflege von Kontakten zu nationalen/ internationalen Filmschaffenden, Zusammenarbeit im nationalen Verbund der Kinematheken und Filmarchive
Planung, Konzeption und Kuratorium sammlungsbezogener Ausstellungen. Entwicklung, Redaktion von Publikationen (analog und virtuell)
Entwicklung von öffentlichen Programmen zur Erhöhungdes Engagements von Interessenten und potentiellen Unterstützern für die DFF-Sammlungen
Führungen, Archivgespräche, Einbindung in die Aktivitäten des DFF und seiner Projekte
Beantwortung der zahlreichen internen und externen Nutzungsanfragen an das Non-Film-Archiv bzw. deren Delegation innerhalb der Abteilung
Personalführung und -entwicklung
Management, Organisation, Administration und Budgetverantwortungin enger Absprache mit der Direktorin
Lichtspiel / Kinemathek Bern joins the second edition of A Season of Classic Films with a compilation of unique short films that takes viewers to a journey to the various regions of Switzerland. The compilation consists of eight newly digitised films, presenting aviation pioneers in the 1920s to progressive women in the 1960s. The films will premiere on Thursday 2 September at 20:00 CEST in a special free-admission event at Lichtspiel’s premises in Bern and via live stream with English subtitles. An introduction by Brigitte Paulowitz, Head of Film Collections and Restorer at Lichtspiel, will provide the context to the films.
A Season of Classic Films is an initiative of the Association des Cinémathèques Européennes (ACE) with the support of the EU Creative Europe MEDIA programme to raise awareness of the work of national and regional film archives, connecting the public with cinema history and the preservation of film heritage. Twenty-two European film institutions are taking part this year offering free access to films from their precious collections. This screening is organised by Lichtspiel / Kinemathek Bern.
Reise durch die Schweiz (Travel through Switzerland) | Switzerland, 1920-1961, 102′
Basler Flugtag. 12. September 1920. Advertisement, 1920, 9’, silent.
Cinemateket / The Norwegian Film Institute joins A Season of Classic Films with the restored film Ung flukt (Edith Carlmar, 1959), a teen rebellion drama with Liv Ullmann in her debut role, with a free special cinema screening event on Wednesday 25 August at 18:00 CEST at Cinemateket in Oslo, while the film will be free-to-view worldwide between 26 August and 2 September, with English subtitles.
The digital restoration was carried out by the National Library of Norway in 2018 and has drawn attention internationally to the work of Edith Carlmar, the number one female director in Norwegian post-war cinema. Carlmar was not only Norway’s first female director, but she made what is considered to be the country’s first film noir (Death Is a Caress). Together with her husband Otto Carlmar, she founded the film company Carlmar Film AS, where he produced and she directed one brilliant film after another. She directed ten films in ten years and Ung flukt is her last feature film.
Speaking about the restored film, Head of Cinemateket Jan Langlo said, “The restored version of Ung flukt (The Wayward Girl) was selected for Berlinale Classics in 2019. This generated quite a lot of interest in both this film and other films by Edith Carlmar, and there are several retrospectives of her films being planned at international festivals in 2021 and 2022. New viewers recognise Ung flukt as a surprisingly vital film, with a vibrant Liv Ullmann in her screen debut.”
A Season of Classic Films is an initiative of the Association des Cinémathèques Européennes (ACE) with the support of the EU Creative Europe MEDIA programme to raise awareness of the work of national and regional film archives, connecting the public with cinema history and the preservation of film heritage. Twenty-two European film institutions are taking part this year offering free access to films from their precious collections. This screening is organised by Cinemateket / The Norwegian Film Institute.
Ung flukt (The Wayward Girl) | Norway, 1959, 95′
Director: Edith Carlmar. Producer: Otto Carlmar. Cast: Liv Ullmann, Atle Merton, Rolf Søder, Nanna Stenersen, Randi Brænne, Tore Foss. Physical characteristics of first release: 35mm, 95’, B&W, mono sound, Norwegian. Film copy screened during A Season of Classic Films: DCP, 95’, B&W, sound, Norwegian. Available subtitles: English. Copyright: Norwegian Film Institute.
Ung flukt is based on a book by Nils Johan Rud and tells the story of 17-year-old Gerd, the illegitimate daughter of a single working mother. Gerd, played by Liv Ullmann in her first lead role, has fallen into delinquency. After she spends a brief stint in police custody, Gerd’s boyfriend, a student, disobeys his parents and takes her away to the country to protect her from bad influences.
Wednesday 25 August, 18:00, Cinemateket Dronningens gate 16 0152 Oslo. With English subtitles. Introduced by Hege Jaer, Curator at Cinematek. Reserve your free ticket here!
Thursday 26 August – Wednesday 2 September. Watch free online here, worldwide access, English subtitles.
The Filmuni Summer School is organising the Digital Archive Summer School in cooperation with FIAF Cataloguing & Documentation Commission and the Deutsche Kinemathek. The Summer School is a 5-day (6-10 September), practice-oriented educational offer directed at staff members of audiovisual archives as well as any other interested person who are interested in enhancing their knowledge about digital environments and processes related to digital archives. The focus is “Data Literacy and Presentation strategies in Audiovisual Archives”.
The Summer School Digital Archives can take place on-site at the Film University Babelsberg Konrad Wolf this year. Since the Summer School has received many requests regarding online participation, they have decided to stream parts of the program for people who may not be able to travel due to the pandemic or its economic impact.
An overview of the preliminary program and which content will be available online can be found here.
Location: Film University Babelsberg KONRAD WOLF, Potsdam, Germany
Cost: 1195,- EUR (in-person participation)
Application deadline: 15 August 2021 for online participation
Cinémathèque suisse will present the new 4K restoration of Derborence, a landmark work by the Swiss filmmaker Francis Reusser (1942-2019), during two free special screenings, one at the Locarno Film Festival (12 August) and one at the Festival international du film alpin des Diablerets (14 August).
The digital restoration was carried out by the Cinémathèque suisse in the Color Grade laboratory, with the support of RTS. The special free screening events are offered by A Season of Classic Films, an Association des Cinémathèques Européennes (ACE) initiative with the support of the EU Creative Europe MEDIA programme and in partnership with Cinémathèque suisse.
Twenty-two film institutions from all over Europe, including the Cinémathèque suisse, are taking part this year in A Season of Classic Films. The initiative offers free access to restored European films, connecting the public with cinema history and the preservation of film heritage.
Derborence | Switzerland/France, 1985, 99′
Director: Francis Reusser. Producer: Jean-Marc Henchoz, Claude Stadelmann. Cast: Isabel Otero, Jacques Penot, Maria Machado, Jean-Marc Bory, Bruno Cremer. Music: Maria Carta / Sound Design: François Musy / Cinematography: Emmanuel Machuel / Film Editing: Christine Benoît and Francis Reusser / Production Design: Jean-Marc Stehlé / Costume Design: Rose-Marie Melka. Physical characteristics of first release: 35mm, 99’, colour, sound, French. Film copy screened during A Season of Classic Films: New restoration. DCP, 99’, colour, sound, French. Copyright: Les productions JMH, Marion’s Films, Sagittaire production.
The lives of two newlyweds, Antoine, an alpine shepherd, and Thérèse, are overturned when a landslide swallows the mountain pasture where Antoine is working. Believed to be dead by everyone, Antoine suddenly returns home. In this adaptation of Charles Ferdinand Ramuz’s novel, Francis Reusser has crafted a sensual alpine western, which competed in Cannes in 1985 and received the César for the best French-language film the following year.
Thursday 12 August, 15:00, PalaCinema 1, 74 Locarno Film Festival. With English subtitles. Introduced by Emmanuelle de Riedmatten, Jean Reusser and Frédéric Maire. Reserve your free ticket here!
Saturday 14 August, 13:30, Festival International du Film Alpin des Diablerets (FIFAD 2021). Closing screening event, more information here.
Cinema is global, as is cultural heritage. Both have recently been insulted, humiliated and seriously damaged by the Brazilian authorities. Beyond any question, the government should be held accountable for leading the Cinemateca Brasileira into such a crisis which has culminated in the fire of the Cinemateca’s vaults on 29 July 2021.
Fires are always a tragedy, no matter to whom they happen. However, no organization, public, state, or private, responsible for the care of collections of cultural value should be plunged into such a crisis like we have been following in Brazil. This recent fire is number five in the history of this Brazilian film heritage institution and the most devastating one.
Cinemateca Brasileira is a much-respected member of the family of film archives. Since last June, representatives from numerous film heritage institutions from Europe and the World have expressed their concerns regarding the future of this respected institution. We, international representatives, can attest that the management and staff of Cinemateca Brasileira are the last who should be considered accountable for this disaster. We have known this for far too long. The federal government has been treating the Cinemateca with such disregard that in 2020 the institution became starved: funds were frozen, the employees unpaid and fired, activities halted – including conservation of the collection. The government took over the administration of the Cinemateca, with no one in charge of these fundamental responsibilities.
On Friday July 30th at 10.00 GMT (at 10:00 PDT for international attendees), the British Film Insitute will unveil a major new redesign and editorial approach for the film magazine Sight and Sound, with an introduction by BFI Chief Exec Ben Roberts.
During the event an exclusive preview of the Sight and Sound’s special ‘Future of Film’ September issue will be shown. This issue marks Editor-in-Chief Mike Williams’s new vision for the magazine to build upon the legacy of the magazine and deliver culturally relevant, impactful film journalism, reflected in a new design, developed in collaboration with award-winning design agency Pentagram.
Williams will also reveal the stars featured on the cover of the September issues, alonside a series of established and emerging filmmakers who will be reflecting on their hopes and fears for cinema.
For those interested in received a complimentary copy of the launch issue, you can provide your mailing address when your RSVP. The event will take place at 10:00 GMT and again at 10:00 PDT for international attendees – please specify which launch you would like to attend when you RSVP.
RSVP right now by sending an email to email@example.com with the subject “Sight & Sound new look launch”