Category: Preservation

A Season of Classic Films: free worldwide screening of ‘Sanz and the secret of his art’

Sanz and the secret of his art, an unusual hybrid between documentary and fiction displaying animated human-like dolls, will be screened on Friday 5 February at 18:00 CET with live music, in the frame of the 2020-2021 edition of ‘A Season of Classic Films’.

The screening will be freely accessible worldwide with English subtitles via the YouTube channel of the Institut Valencià de Cultura, and at the same time a limited audience will have the opportunity to attend the event at the Filmoteca’s cinema in Valencia.

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Murnau’s Tabu and Deutsche Kinemathek’s work on the outtakes

Friedrich Wilhelm Murnau’s last film Tabu (USA 1931) is a particularly interesting case study for what concerns the protection of audiovisual cultural assets due to its unique history. In addition to the different versions of the film, there is a stock of around 17,500 meters of film material: alternative or unused takes of the film, the so-called outtakes.

The KUR Programme for the Conservation of Moveable Cultural Assets – initiated by the Federal Cultural Foundation and the Cultural Foundation of German States – made it possible for the Deutsche Kinemathek, in cooperation with the Friedrich Wilhelm Murnau Foundation and the Österreichisches Filmmuseum, to produce these nitrate films, which are threatened by decay in the long term, safeguard materials by copying them and publish them in digital form. In addition, the script for Tabu as well as the daily reports of the shooting have been published on the Deutsche Kinemathek’s website.

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European Classic Documentary Film Meetings

Seeking for new restorations of documentary films for distribution:

The 2nd edition of the European Classic Documentary Film Meetings will take place on March 19th 2021 as part of ParisDOC, the professional section of Cinéma du réel, France’s oldest creative documentary film festival.

A complete one-day program had been put together for the 1st edition last March, which unfortunately had to be cancelled because of the first lockdown in France. We are now very determined to prepare the 2nd edition for our next festival in March 2021 (adapting to the evolution of the pandemic, naturally).

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A Season of Classic Films: online premiere with the newly restored ‘Sinner without a sin’

The second edition of A Season of Classic Films will premiere on Friday 4 December at 19:00 CET with a free online worldwide streaming of the newly restored 1930 film Sinner without a sin. Yugoslovenska Kinoteka will provide the streaming service via its YouTube channel, while the screening at its premises in Belgrade, Serbia, will take place at a later date based on the latest COVID-19 measures.

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A Season of Classic Films – Programme Catalogue

This publication presents the film titles selected for the second edition of A Season of Classic Films. It provides a colourful palette of European cinema history which aims to be a source of inspiration for cinemagoers and film programmers around the world. The films are presented by 22 members of the Association of European Cinematheques (Association des Cinémathèques Européennes – ACE).

The 22 partner institutions selected a total of over 50 short and long-feature films, showcasing distinguished titles and less known treasures. Most of the films are new digital restorations and some screenings include exciting elements such as live performances and experimental electronic music.

 

Download: A Season of Classic Films – programme catalogue

 

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The new Season of Classic Films to be presented at Festival Lumière

After the success in 2019 with more than 15.000 people participating, ‘A Season of Classic Films’ is back for its second edition in December.

Led this year by the Association des Cinémathèques Européennes (ACE) with the funding of the European Commission under the cross-sectoral strand of Creative Europe programme, this initiative will be presented on 15 October at the Festival Lumière in Lyon. The festival, focusing on the history of cinema, will host a special afternoon around ‘Europe and Heritage’ where Sandra den Hamer, ACE president and Eye Filmmuseum director, and Maria Silvia Gatta, representative from the European Commission DG CNECT, will explain the details of the outreach project and other policies and trends to keep supporting and modernising European film heritage.

The second edition of the Season of Classic Films will consist of a series of free screenings planned between December 2020 and June 2021 across Europe to raise awareness of the work of European national and regional film archives, especially among young adults. Most of the films are new digital restorations and some screenings include exciting elements such as live performances and experimental electronic music. With 22 participating institutions, this initiative particularly aims to support the reopening of European film archives, all affected by the Covid19 crisis.

A map including the list of cities and films will be soon available via this page.

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‘A Season of Classic Films’ to be presented on Monday 31 August at Il Cinema Ritrovato


Gian Luca Farinelli, on behalf of Sandra Den Hamer (ACE’s President), will announce on Monday the Season of Classic Films initiative at Il Cinema Ritrovato festival.

This will happen during the conversation between Thierry Frémaux and Gian Luca Farinelli on Monday 31st at twelve o’clock at Cinema Lumiere (Sala Officinema/Mastroianni). At the end of the conversation Gian Luca Farinelli will present the trailer of the project.

It’s possible to follow the event online on the Festival’s streaming website:
https://www.mymovies.it/ondemand/cinema-ritrovato/

and also on ACE’s FB page:
https://www.facebook.com/AssociationdesCinemathequesEuropeennes/

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The Brilliant Biograph: Earliest Moving Images of Europe (1897-1902)

Eye Filmmuseum and the British Film Institute present a compilation film of newly-restored rare images from the first years of filmmaking. Immerse yourself in enchanting images of Venice, Berlin, Amsterdam and London from 120 years ago. Let yourself be carried away in the mesmerizing events and celebrities of the time, and feel the enthusiasm of early cinema that overcame the challenge of capturing life-like movement.

 

Origins

The Mutoscope and Biograph Company was founded by film pioneer and inventor William Kennedy-Laurie Dickson, who had worked with Thomas Edison since the 1880s. After leaving Edison, Dickson and partners filmed remarkable events across Europe.

These films are all photographed with the unique large-format 68mm Mutograph camera, which provided extraordinarily high resolution images. These one-minute time capsules from 120 years ago still convey some of the richest and sharpest images that film can achieve.

The films reflect the essence of early cinema: capturing the first ever moving images of important events, famous locations and personalities, as well as spectacular moments such as dance and sports performances, or even natural phenomena like fire or storm, that only work when seen in motion.

 

The Collection and Restoration

The Mutoscope and Biograph Collection is the oldest film collection held at Eye Filmmuseum. It includes over 200 films, most of which made in Europe between 1897 and 1902. This constitutes the largest existing collection of Mutoscope and Biograph films surviving in the world.

The films are shot on nitrate film stock with a short-lived technology which was, at the time, innovative and groundbreaking: an exceptionally large-format film (approx. 68mm wide, without perforation) with an extremely high resolution providing extraordinary richness of details.

Because the films are a non-standard size, they have been largely unseen. Given their obsolete format digital restoration with custom-made equipment at a resolution of around 8K is the best way to make them accessible again, using today’s technology. After digitization, image restoration is done to reproduce as closely as possible the characteristics of the original film.

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IMF Archive Workshop

EYE Filmmuseum

Making movies is costly and time-consuming. Preserving them is critical.

The IMF UG invites you to join worldwide experts around program focused on the needs of public archives for the preservation of movies, and the applicability of the Interoperable Master Format (IMF) in these applications. The workshop will take place on the 13th September from 1pm–5pm at the Eye Film Museum, 1 IJpromenade, 1031 KT Amsterdam in the Top of the Roof room.

The program is now online at https://www.imfug.com/events/2019-09-13-workshop-preserving-movies-with-imf/

Access is free but limited up to specific number. Registration for the event is necessary and can be done at https://imf-in-archives-ibc-2019.eventbrite.com

 

CEN TC457 Presentation in Bologna

Photo: third meeting of the CEN/DIN TC 457 in October 2018 in Berlin

The CEN TC457 project team is pleased to invite you to a presentation in Bologna on the progress of our work on the CEN Preservation Package aimed for the digital long-term archiving of films.
The 50 minute session will start with a 20 min presentation on the concepts and ideas for this digital long-term archive format followed by a panel and a discussion with the audience.
It will take place on Monday 24 June at 11:00 am at the DMS auditorium, Piazzetta Pier Paolo Pasolini, Bologna.
We are looking forward to see you there.