Category: News

JTS 2019

Registration is open for a full week of audiovisual archiving knowledge and experience sharing: both the International Association of Sound and Audiovisual Archives’ 50th Annual Conference and the Joint Technical Symposium, stewarded by the Coordinating Council of Audiovisual Archiving Associations, will be taking place at the Netherlands Institute for Sound and Vision in Hilversum from September 30 – October 5. We’re happy to announce that registration for both events is now open! Save your seat for both or either event at 2019.iasa-web.org and jts2019.com.

#IASA50: IASA will be returning to the country of its birth, as the association was established in 1969 in Amsterdam to function as a medium for international co-operation between archives that preserve recorded sound and audiovisual documents. The preliminary programme is available at http://2019.iasa-web.org/programme. Do visit the conference website for more information about the conference, such as the programme, venue, travel advice, social events, information on workshops and tutorials, professional visits and other details: http://2019.iasa-web.org/. Please note that the “early bird” registration rate ends on September 2, 2019.

#JTS2019: JTS is the international scientific and technical symposium dealing with matters of particular importance to audiovisual archives and archivists. It provides an opportunity for audiovisual archiving experts from different backgrounds to come together, share new and upcoming technical advances in our field, and take positions that go beyond the boundaries of specific formats or domains. It is an occasion to inform each other about what’s going on in our field and seek cross-fertilization. Organized every few years since 1983 by the various audiovisual archives associations now forming the CCAAA, it provides an opportunity for colleagues around the world and those interested in the field to meet and share information about the preservation of original image and sound materials. Keep an eye on the website for updates: jts2019.com

We look forward to welcoming you in The Netherlands!

Natalie Meijers
Communications & Outreach

Netherlands Institute for Sound and Vision
Media Parkboulevard 1, 1217 WE  Hilversum 
Postbus 1060, 1200 BB  Hilversum | 
beeldengeluid.nl

Online publication today / Targeted consultation for the audiovisual sector

Dear Sir/Madam,

We would like to inform you about the targeted consultation on the exercise of rights of performers and producers in the audiovisual sector published on the Commission’s website. The consultation will be open until the 30th of September. Your contribution would be very welcome, and we ask you kindly to please forward this email to anyone else in your network who might also want to provide feedback.

The aim of this targeted consultation is to gather relevant data on current market practices and on the exercise of rights of performers and producers in the audiovisual sector. The Commission will analyse these data in preparation of a report assessing the possible need for an extension of the term of protection of the rights of performers and producers in this sector, as required by Article 3(2) of Directive 2011/77EU.

This consultation is addressed at those engaged in the management of rights in the audiovisual sector. It mainly concerns performers and producers who are holders of related rights and their contractual partners such as broadcasters, distributors, sales agents, online platforms and cultural heritage institutions.

Please do not hesitate to contact Ms. Caroline Colin, Policy and Legal Officer-Copyright Unit, European Commission (caroline.colin1@ec.europa.eu) should you have any questions.

Best regards,

DCHE Secretariat

The Yugoslav Film Archive Day – 70th Anniversary Celebration

Jugoslav Pantelić speaking
The Yugoslav Film Archive Day

Golden Seal Awarded film directorsJune 6, The Yugoslav Film Archive (YFA) Day, was marked by first offering a review of the history of the institution, celebrating its 70thanniversary, followed by the Golden Seal Award ceremony, awarded to former students of the Prague Film Academy who became distinguished film directors – Lordan Zafranović, Srđan Karanović, Goran Marković, Rajko Grlić and Goran Paskaljević.

The festivities in the packed Makavejev Hall were attended by former YFA managers and guests of the festival – representatives of various film archives from the region and the world.

The Yugoslav Film Archive’s director, Jugoslav Pantelić, pointed out “the multigenerational effort on the part of those who created and create film art, and on the part of the Yugoslav Film Archive’s employees, which enabled us to feel proud today, seven decades since its founding”.

With an exhaustive overview of the history, funds and activities of the YFA, accompanied by words and images on the screen, Pantelić announced the release of a monograph on the YFA, as well as a new permanent museum exhibition, both scheduled for this fall. A video showcasing the current project of digitally restoring the Serbian film legacy, named “VIP Kinoteka”, was also screened.

The Nitrate Film Festival

Saša Erdeljanović, the manager of YFA’s archives, opened the Nitrate Film Festival, of which he is the director and the selector. The tagline of this year’s Nitrate Film Festival was “70 films for 70 years”. The festival featured films of various genres, including banned, recently unearthed, and newly digitally restored films. Also, for the first time, it featured 9.5 mm films shot in the 1920s and ‘30s, and a review of films about Serbia and Yugoslavia produced until 1941. This year the festival featured films from over 30 film archives around the world.

A special screening of Orson Wells’s The Other Side of the Wind opened the 21st Nitrate Film Festival after the Film Archive Day festivities. The festival ran June 6–16.

Panel Discussion

A panel discussion entitled “The preservation of cinematic cultural heritage and challenges of the digital age on the territory of former Yugoslavia” was held on June 7, 2019, as part of The Nitrate Film Festival.

panel discussion at YFA

Representatives from national film archives of the region joined the panel: Tatjana Rezec Štibilj from the Republic of Slovenia’s Film Archive; Ivan Nedoh from “Slovenska kinoteka”; Dinko Majcen and Mladen Burić from Croatia’s Film Archive, Andro Martinović from the Film Archive of Montenegro; Devleta Filipović from the Film Archive of Bosnia and Herzegovina; Vladimir Angelov from Macedonian “Kinoteka na Makedonija”; Ksenija Zelenović, representing of The Yugoslav Film Archive, and Jugoslav Pantelić, its director, who also moderated the discussion.

The participants welcomed and accepted in principle Pantelić’s proposal to establish closer co-operation among the Film Archives of the region. This would entail a Film Archive being able to carry out a digital restoration of a film made during the times of joint state of Yugoslavia, in case the original materials are being held in the archive of another ex-Yugoslav republic.

Besides sharing practical information, primarily in the field of digital restoration, another proposal made by the Yugoslav Film Archive was met with overall approval: that the archives and cinémathèques of non-EU countries of former Yugoslavia (Serbia, Bosnia and Herzegovina, North Macedonia and Montenegro), before using the technical support provided by European Commission through its TAIEX instrument, jointly determine the date, subject, and location of a meeting which would include interested professionals from these territories.

Representatives of all six states agreed to strengthen their mutual co-operation in terms of exchanging respective experiences and carrying out mutual projects.

Rebranding: DFF – Deutsches Filminstitut & Filmmuseum

 

A new name, a new brand identity, a new study center on Eschersheimer Landstrasse, innovative exhibitions and other exciting projects: 2019 will be a special year for an institution that goes back, at its roots, to the Deutsches Institut for Filmkunde (DIF), which was founded 70 years ago on 13 April 1949. Say hello to the new DFF – Deutsches Filminstitut & Filmmuseum.

2018, the first year for new director Ellen Harrington, was a successful one, with 201,000 visitors in the Museum on the Schaumainkai alone, and 365,000 visitors worldwide at our touring exhibitions and film programs. Right at the beginning, Harrington initiated a series of processes to analyze the impact of the institution. In addition to extensive visitor surveys, a working group started in February to draft a new mission statement; the group also developed the new name that presents this international film heritage institution as a unified entity- the DFFDeutsches Filminstitut & Filmmuseum.

Read more

The 5th Eye International Conference

hosts The 10th Women and the Silent Screen Conference

Save the date 25–28 May 2019

http://eyefilm.nl/conference

SISTERS

Sisters
Women and the Silent Screen (WSS), an international conference held biennially, brings together research focusing on all forms of women’s presence in the earliest decades of motion picture history. After its first edition in Utrecht in 1999, the conference is coming back to the Netherlands to celebrate its twentieth year. The theme of WSS X is Sisters, taken both literally and figuratively within a wide range of theoretical and historical angles.

General Assembly 2018

The next ACE General Assembly will be held in Bologna on 27 June at 2–5 p.m. in Sala Cervi at Cineteca di Bologna, via Riva di Reno 72. Members: do remember that this is an election year of the Executive Committee so it is important to be present to vote for your favourite candidates.

Meeting documents (agenda, minutes of GA 2017, activity report, results 2017, budget 2018, mission statements) are available in the members’ area.

Film Storage and Preservation – ACE Session

Tuesday June 26th, 2018 – h 14.30

ACE Session at the FIAF Film Restoration Summer School:

Film Restoration

  • Thomas Christensen (Curator, DFI)
  • Mikko Kuutti (Deputy Director, KAVI)
  • Nicola Mazzanti (Director, CRB)

present their classic curriculum on film preservation from analogue preservation principles via Digital 101 aka the Pixel to zoological references in restoration.

The session will take place at Auditorium – DAMSLab
@ Piazzetta Pier Paolo Pasolini 5/b (via Azzo Gardino 65/a) – 40122 – Bologna – Italia

DAMSLab - Auditorium © Università di Bologna

Activating the Archive – Audio-Visual Collections and Civic Engagement, Political Dissent and Societal Change

How can audio-visual collections be mobilized for the common good? How can (future) preservationists, curators and programmers be trained to achieve this goal? In May 2018, the EYE International Conference will explore answers to these and other questions, in a programme entitled Activating the Archive. Audio-Visual Collections and Civic Engagement, Political Dissent and Societal Change.

https://www.eyefilm.nl/en/themes/eye-international-conference-2018