Giovanna Fossati, Chief Curator at Eye Filmmuseum and Professor Film Heritage and Digital Film Culture at the University of Amsterdam (UvA), will be one of the new members of the Academy of Motion Picture Arts and Sciences otherwise known as the Oscars. Fossati was selected in the category ‘members-at-large’ for her work in film preservation.
Since 1927, the Academy of Motion Picture Arts and Sciences has annually invited a select group of film professionals who have distinguished themselves due to their contributions to cinema to join the organisation. In line with Academy’s commitment to become more diverse and inclusive, this year’s new members originate from 49 countries outside the USA. 46% of the 2021 selection consists of women and 39% of minorities. In total, 395 new academy members have been announced.
Giovanna Fossati’s invitation to join the Academy constitutes major recognition of her work in the film archival field and, consequently, for Eye and its staff’s efforts to preserve, restore and promote film heritage.
The Brilliant Biograph has won the FOCAL Award 2021 in the category ‘Best Archive Restoration & Preservation Project’. These recordings from the early years of cinema rank among the most richly detailed images in film history. The compilation transports viewers back to around 1900, when cities such as Berlin, Amsterdam and London were undergoing rapid growth. Of incomparable beauty are the shots of an enchanting Venice, a tourist destination reserved for the happy few at the time. The film can be watched free of charge on the Eye Film Player.
The Brilliant Biograph: Earliest Moving Images of Europe (1897-1902) is a magnificent compilation of recordings from the collection of the Mutoscope and Biograph Company, one of the first film companies. The images take you back 120 years in time to Venice, Berlin and Amsterdam, letting you experience the excitement of the first film footage.Read more
This summer the big screen of Piazza Maggiore will light up again, a restart expected by an entire community. On the occasion of the ‘Sotto le stelle del cinema’, Fondazione Cineteca di Bologna will present the new 4K restoration of Comizi d’amore (Love Meetings, Pier Paolo Pasolini, 1965) during two free special screenings with English subtitles on Monday 28 June.
The film has been restored at the L’Immagine Ritrovata laboratory, by Cineteca di Bologna, in collaboration with Compass Film and with the support of MiC and A Season of Classic Films, an initiative of ACE – Association des Cinémathèques Européennes within the Creative Europe MEDIA programmme of the European Commission. Twenty-two film institutions from all over Europe, including the Fondazione Cineteca di Bologna, are taking part this year in A Season of Classic Films. The initiative offers free access to restored European films, connecting the public with cinema history and the preservation of film heritage.
On Sunday 27 June, the Greek Film Archive will present a newly-restored copy of the unknown masterpiece Fishermen and Fishing, by Leon Loisios, produced in 1961 (22’), narrated by the acclaimed director Stavros Tornes. Along with the world premiere of this new restoration, the Greek classic silent film Social Decay (1932, 50’) by Stelios Tatasopoulos will also be screened with English and French subtitles. The programme will be first presented on 27 June (9:15pm) in the cinematheque’s open-air cinema in Athens and from 28 June to 7 July, the films will be free-to-view online with worldwide access.
The special free screenings and the restoration of Fishermen and Fishing are made possible thanks to A Season of Classic Films, an initiative of the Association des Cinémathèques Européennes (ACE) with the financial support of the EU Creative Europe MEDIA programme. Twenty-two film institutions from all over Europe, including the Greek Film Archive (Ταινιοθήκη της Ελλάδος), are taking part this year in A Season of Classic Films. The initiative offers free access to restored European films, connecting the public with cinema history and the preservation of film heritage.
In collaboration with the Slovenian Film Centre and the Slovenian Film Archives, the Slovenian Cinematheque presents seven digitally restored remarkable short films in a world premiere, in the context of A Season of Classic Films. This rare overview of Slovene filmmakers will premiere on Tuesday 22 June in a special free-admission event at the Silvan Furlan Hall of the Slovenian Cinematheque in Ljubljana. Between 23 and 27 June, the films will be free-to-view online with English subtitles. An introduction by Igor Prassel, Head of programme department at the Slovenian Cinematheque, will provide the context to the films and details about their restoration.
The Slovenian programme highlights important filmmakers from the history of national cinema (1946-1984) and, in particular, their explosive creativity within film expression, which without exception integrates formal and narrative experiments. The historical overview starts with France Štiglic’s Mladina gradi (Youth Builds, 1946), an internationally acclaimed documentary on the building of socialism after liberation and then continues with Bizoviške perice (Laundresses from Bizovik, 1959), a film reportage on countryside laundresses by Jože Bevc, followed by Barva spomina (The Colour of Memory, 1967), a portrayal of painter Jože Spacal and his art directed by Jože Babič and Giorgio Šestan, Gratinirani možgani PupilijeFerkeverk (Fried Brain of Pupilija Ferkeverk, 1970), an exquisite experimental short calling for freedom of expression by the renowned DOP and film director Karpo Godina, Slavica exception(Slavica Exceptional, 1971), a documentary portrait of a professional striper by Mako Sajko, Cukrarna (1972), Jože Pogačnik’s homage to an old building and its inhabitants with a glorious past and a tragic present, and finally, Zvonko Čoh’s Poljubi mehka me radirka (Kiss Me Gentle Rubber, 1984), a milestone in Slovenian artistic animated film.
On the occasion of the 50th anniversary of one of the most popular musical comedies in Croatia, the Croatian state archive – Croatian cinematheque will release the newly-digitised film One Song a Day Takes Mischief Away / Tko pjeva zlo ne misli and it will be free-to-view online between 18 and 25 June.
Tko pjeva zlo ne misli is a musical comedy set in 1930s Zagreb. The film presents in a seemingly vaudeville plot the life of the Šafranek family in Zagreb in 1935. The father of the family, Franjo, drinks spritzers, while Ana, the mother, is confined in the kitchen where she fantasises about the men in the novels she reads. Ana’s sister often comes uninvited mainly just to have a free lunch. Mr. Fulir, a playboy, starts courting Ana, eventually leading to a big scandal. In this routine and complicated world of adults, their son Perica satisfies his child curiosity in observing the elders and writing about everything they do and say in his diary. The film is strongly placed in this specific ambient and time, but it presents universal themes of romance and seduction, dreams, hopes and delusions in their collision with reality.
The special screening is made possible thanks to A Season of Classic Films, an initiative of the Association des Cinémathèques Européennes (ACE) with the financial support of the EU Creative Europe MEDIA programme. Twenty-two film institutions from all over Europe, including Hrvatski državni arhiv – Hrvatska kinoteka / Croatian state archive – Croatian cinematheque, are taking part this year in A Season of Classic Films. The initiative offers free access to restored European films, connecting the public with cinema history and the preservation of film heritage.
Tko pjeva zlo ne misli (One Song a Day Takes Mischief Away) | Yugoslavia, 1970, 93′
Director: Krešo Golik. Producer: Croatia film. Cast: Relja Bašić, Mia Oremović, Mirjana Bohanec, Franjo Majetić, Tomislav Žganec, Vida Jerman. Scriptwriter: Krešo Golik (based on a novel by Vjekoslav Majer) / Director of photography: Ivica Rajković / music composer: Živan Cvitković / editing: Katja Majer / scenography: Željko Senečić / costumes: Ljubica Wagner. Physical characteristics of first release: 35mm, 93’, colour, sound, Croatian. Film copy screened during A Season of Classic Films: New digitisation of a photochemically restored 35mm film copy. DCP, 93’, colour, sound Croatian. No subtitles (dialogue-lists available). Copyrights: Croatia film (until the end of 2020); authors rights.
The Bulgarian National Film Archive (BNFA) joins the second edition of A Season of Classic Films with a compilation of early Bulgarian films, entitled “Summer Daydream: A Selection of Vintage Bulgarian Short Films”. BNFA offers four archival treasures (1926-1940) which present life in Bulgaria during the interwar period with a pinch of humour. The programme will be screened on Thursday 17 June at 19:00 EEST (Sofia time) / 18:00 (Paris time) at the film archive’s Odeon movie theatre and the event will be simultaneously streamed via BNFA’s YouTube channel, with an introduction by film expert Rosen Spasov. The live musical accompaniment will be provided by violinist Boyana Zhelyazkova and pianist Yasen Obretenov. After the live stream event, the programme will remain available until the end of June.
Both digitally restored, Mirno Leto (A Quiet Summer, 1961) and Frosina (1952) will premiere on 11 and 16 June, respectively, at 20:00 as part of A Season of Classic Films. The films will be presented in special open-air screening events in Skopje and via live stream and they will remain free-to-view online for five days via the Cinematheque’s website.
After more than seven months of closure, cinemas in Belgium are finally reopening on Wednesday 9 June. On the occasion, the Royal Belgian Film Archive, CINEMATEK, will release the new restoration of the classic Belgian magic realism film De man die zijn haar kort liet knippen (The man who had his hair cut short, André Delvaux, 1965) in a world premiere during two free special screenings in its renovated cinema.
André Delvaux’s debut film is a timeless exploration of universal feelings, such as love, desire and death. The leading character Govert Miereveld is infatuated with his pupil Fran. This results in him plunging into a downwards spiral of mental desperation. The screenplay is an adaptation of the novel by renowned Flemish author Johan Daisne. The international cast and crew include the actress Beata Tyszkiewicz, cameraman Ghislain Cloquet, sound engineer Antoine Bonfanti and Suzanne Baron as editor, who had worked before on several Nouvelle Vague films in France.
This is a new digital restoration in 2K from the original negative material preserved and restored by CINEMATEK. The restoration and free screenings are made possible thanks to A Season of Classic Films, an initiative of the Association des Cinémathèques Européennes (ACE) with the financial support of the EU Creative Europe MEDIA programme. Twenty-two film institutions from all over Europe, including CINEMATEK, are taking part this year in A Season of Classic Films. The initiative offers free access to restored European films, connecting the public with cinema history and the preservation of film heritage.
Following the free world premiere at CINEMATEK, the film will be screened in Belgium and abroad, including during the Il Cinema Ritrovato 2021 festival in Bologna.
De man die zijn haar kort liet knippen (The man who had his hair cut short) | Belgium, 1965, 95′
Director: André Delvaux. Producer: Paul Louyet (Ministerie van Nationale Opvoeding en Cultuur) & Jos Op De Beeck (BRT) / now called VRT – Flemish public television. Cast: Senne Rouffaer (Govert Miereveld), Beata Tyszkiewicz (Fran), Hector Camerlynck (prof. Mato), Hilde Uitterlinden (Beps), Annemarie Van Dijk (Corra), Hilda Van Roose (Miss Freken), François Beukelaers (patient), Arlette Emmery (student), Paul S’Jongers, Luc Philips, François Bernard, Vic Moeremans, Maurits Goossens, Dora Van der Groen (voice of Fran), Yvonne Lex (vocal voice of Fran). Screenplay: Anna De Pagter & André Delvaux, based on the novel by Johan Daisne / Asst. Dir.: François Beukelaers & Pierre Grunstein / Dialogues: André Delvaux & Johan Daisne / Music: Frédéric Devreese / Cinematography: Ghislain Cloquet / Sound: Antoine Bonfanti / Editing: Suzanne Baron / Producer: Denise Delvaux / Art design (decors): Jean-Claude Maes. Physical characteristics of first release: 35mm, 95’, sound, B&W, sound, Dutch. Film copy screened during A Season of Classic Films: New restoration from the original negatives preserved by Cinémathèque royale de Belgique / Koninklijk Belgisch Filmarchief. DCP 2K, 95’, sound, B&W, sound, Dutch. Subtitles available: English, French. Copyright: Catherine Delvaux – Nouvelle Imagerie – email@example.com.
CINEMATEK, 9 June 2021, 19:00 and 21:30. * New restoration world premiere*. Book your free ticket here!
As an aggregator of Europeana, the European Film Gateway will be represented at the Europeana Aggregators’ Fair that takes place on 16 and 17 June 2021 online. On 17th of June from 13:00–13:30 EFG staff invites interested colleagues to join the “EFG for beginners” session during which you can learn about and discuss the best and easiest ways on how to get connected and present your collections on the European Film Gateway and Europeana.
The Aggregators’ Fair web conference provides an opportunity for staff working at cultural institutions to learn more about how to bring their content to new audiences such as the educational sector, to meet the people who work behind the scenes to make cultural heritage available through Europeana and to receive guidance and training from experts in this field.