Full programme and award of the Joint Film Restoration Grant announced at Cannes

ACE (Association des Cinémathèques Européennes) unveiled May 19 at the Dutch Pavilion in Cannes details of the fourth A Season of Classic Films, a series of free screenings designed to attract younger audiences to our shared cinematic cultural heritage. The 2023 programme will run June to December 2023 across European cinemas and online. 

The initiative also seeks to raise awareness of the work of European film archives, connecting the public with cinema history and the significance of film preservation. 

European film heritage

The fourth edition of A Season of Classic Films will comprise a diverse programme curated by more than 20 European film heritage institutions. The world premiere restorations will be presented as free screenings across Europe until the end of 2023 and will be supplemented by educational tools to attract younger audiences to European film heritage, such as live music, introductions by filmmakers etc. 

The films span early silent classics, thrillers and romantic comedies, to works focusing on current topics such as feminism or the impact of urban planning to environment. Many of the films will be globally accessible online for free for a limited time to further promote European film heritage to international audiences. All films are available with English subtitles.

 Discover the full programme here (PDF)

A Season of Classic Films is supported by the EU Creative Europe MEDIA programme.

Joint Restoration Grant

During the Cannes event, ACE also presented a Joint Restoration Grant of €40,000 for the restoration of the Hungarian ghost story After Death (1920) by Alfréd Deésy. The esteemed jury, made up of filmmakers Radu Jude and Saodat Ismailova, ARTE France general director Olivier Père and film curator-educator Cecilia Barrionuevo, chose After Death from an array of proposals submitted by Europe’s film heritage institutions. 

An international collaboration between The National Film Institute Hungary – Film Archive, the Belgian National Film Archive and La Cinémathèque française will enable the new restoration of one of the few ghost stories to have survived from the silent film era. There is only one known remaining copy of the film and it features richly tinted images. Adapted from a novel written by Phantom of the Opera author Gaston Leroux, the film will be presented in a new 4K edition as part of A Season of Classic Films. 

Launch event at Cannes

The Cannes A Season of Classic Films presentation and award of the Joint Restoration Grant took place 19 May at 10am at the Dutch Pavilion in Cannes. The event was moderated by Paulina Reizi (Eye Filmmuseum, Coordinator of A Season of Classic Films). Special guests included Sarah Brunet (Policy Officer, MEDIA and Audiovisual Support Programmes, DG Connect, European Commission), Michal Bregant (ACE President), Olivier Père (General Director ARTE France) and Cecilia Barrionuevo (Film at Lincoln Center – Programmer at-large / ECAM Industria). 

Joint Film Restoration Grant 2023 – Jury Members

CECILIA BARRIONUEVO – film curator and educator

Cecilia Barrionuevo is currently Head of Seminars and International Relations at the Madrid Film School (ECAM) and film programmer at Lincoln Center. Barrionuevo was the artistic director of the Mar del Plata International Film Festival (2018 – 2021) and a member of the festival’s programming team since 2010. Barrionuevo also co-edited several publications, including the bilingual collection of “Las Naves Cine”, and has taught film classes around the world. She is also a member of the advisory board for the Film Study Center at Harvard University. In 2020, she was awarded with the honorary title of Chevalier of the Arts and Letters from the French Ministry of Culture. 

SAODAT ISMAILOVA – filmmaker 

Saodat Ismailova is a filmmaker, based in Tashkent and Paris. She is an important voice within the first generation of Central Asian artists to come of age in the post-Soviet era. She studied film and has made fiction films and documentaries, which have won awards at various international festivals. Her work focusses on the intersection of cinema and visual art. The use of archival footage is a recurring feature of Ismailova’s work. Her films and artwork have been featured in the Venice Biennale, Documenta (Kassel), Centre Pompidou (Paris), Berlin International Film Festival, Stedelijk Museum and Eye Filmmuseum (Amsterdam).

RADU JUDE – filmmaker

Radu Jude is one of the most renowned European directors of today. His work has been recognised with numerous awards from international film festivals, including the Golden Bear for Bad Luck Banging or Loony Porn in 2021 and the Silver Berlin Bear for Aferim! in 2015 at the Berlin International Film Festival. Jude graduated from the Film Directing Department of the Media University of Bucharest. He started his career as a director’s assistant, including for films by Costa-Gavra and Cristi Puiu. Jude also directed several award-winning short films, among them The Tube with a Hat (2006) – the most successful Romanian short film ever. Most recently, his short film The Potemkinists was screened in 2022 at Quinzaine des Réalisateurs in Cannes.

OLIVIER PÈRE – General Director ARTE France Cinéma

Olivier Père joined the French Cinémathèque in 1995, and soon became in charge of the programme, organising numerous retrospectives. Since 1997, he has been writing for the cultural publication “Les Inrockuptibles” on film and television programmes. Between 2004 and 2009, Père headed the Directors’ Fortnight, independent section at the Cannes Film Festival. From 2009 until 2012, he served as the artistic director of the Locarno Film Festival. In 2012, he became General Director of ARTE France Cinéma. He is also the Artistic Director of ArteKino and collaborates with the Association des Cinémathèques Européennes for the ArteKino Classics programme.

This year, the Hungarian National Film Institute (NFI) presents the newly restored opera film Orfeusz és Eurydiké (Orpheus and Eurydice, 1985) as part of the European project A Season of Classic Films. Enikő Eszenyi and Sándor Téry star in István Gaál’s version of the mythological work. The premiere will take place in the recently renovated screening room of the Film Archive on 21 December, the winter solstice. It will then also be available to view online for a week between the two holidays. The cinema screening is free of charge but registration is required.

With his final cinema piece made in 1985, István Gaál not only set Gluck’s iconic opera to film but he transformed it into an incisive auteur movie through rich visual images and intense symbolism. He portrays Orpheus not as a hero of mythology but rather as a fallible, struggling human who is confronted by the mystery of death. Sándor Sára was cinematographer on this spectacular film. It ranks among the classics of auteur opera films alongside Ingmar Bergman’s The Magic Flute and Joseph Losey’s Don Giovanni.

The movie Orfeusz és Eurydiké was made on the basis of the Vienna version (1762) of the opera that concludes in tragedy. However, Gaál made radical changes to the Gluck work: his Orpheus sings not in a castrato tenor or alto but instead – in line with ancient Greek mythology – in a masculine baritone, sung by Lajos Miller. Eurydice is sung by Maddalena Bonifaccio, Ámor by Veronika Kincses, while the part of Orpheus is played by Sándor Téry, Eurydice by a youthful Enikő Eszenyi and Amor by Ákos Sebestyén. The Franz Liszt Chamber Orchestra and Hungarian Radio and Television Choir, with Tamás Vásáry in the role of conductor, provide musical accompaniment.

The film presentation is realised within the framework of the international project A Season of Classic Films organised by ACE (Association des Cinémathèques Européennes – Association of European Cinematheques) and sponsored by Creative Europe. The objective of this international project is to promote the digital restoration of gems of European film art and, by ensuring their widespread presentation, to draw attention to the work of European film archives.

In 2021, the NFI – Film Archive presented György Kovásznai’s animation cult movie Habfürdő (Bubble Bath) in the framework of this programme. This year, it is making István Gaál’s recently restored opera film available on the big screen and online.

REGISTRATION for the cinema screening at 18:00 on 21 December, NFI – Film Archive screening room (1021 Budakeszi út 51/E): https://nfi.hu/filmarchivum/urlapok/orfeusz-es-eurydike-operafilm-premier.html

ONLINE PREMIERE – 26 December 2022 – 1 January 2023, with subtitles in English, French and Hungarian: https://www.facebook.com/events/668636598258833

For dates and access links of the upcoming free screenings of A Season of Classic Films in cinemas across Europe and online, please follow ACE’s website and social media pages on Instagram | Facebook | Twitter.

ABOUT THE ASSOCIATION DES CINÉMATHÈQUES EUROPÉENNES (ACE)

The Association of European Cinematheques (Association des Cinémathèques Européennes – ACE) is an affiliation of 49 European national and regional film archives. Its role is to safeguard the European film heritage and make the rich audiovisual records collected and preserved by the various film archives accessible to the public. ACE members are non-profit institutions committed to the FIAF Code of Ethics.

Follow ACE news on social media  Instagram | Facebook | Twitter

This year marks 110 years since The Balkan Wars (1912-1913). The Bulgarian National Film Archive (BNFA) will commemorate the event with a digital restoration of the film The Balkan War (1913, dir. Alexander Ivanov Zhekov). The film is a unique visual document of this important European military conflict. The presentation will include original audio commentary by film historian Petar Kardjilov and new original music.

The world premiere screening of this restoration will be held in BNFA’s cinema ‘Odeon’ on Tuesday 13 December 2022 as part of ACE’s A Season of Classic Films. The event will be recorded and uploaded on BNFA’s YouTube channel for free online access until 31 December.

The Balkan War / Балканската Война [Balkanskata Voyna] | Bulgaria, 1913, 55’, non-fiction

Director-Cinematography: Alexander Ivanov Zhekov. Producer: unknown. Physical characteristics of first release: 35mm, 55’, B&W, silent, Bulgarian intertitles. Film copy screened during A Season of Classic Films: Restoration premiere. DCP 2K (for cinema screening) and ProRes (online). 55’, B&W, silent, Bulgarian intertitles. Subtitles: English. Copyright: Bulgarian National Film Archive.

In the course of the First World War, Europe has gradually established means and methods in filming military actions. In 1912-1913, when this film was shot, footage of direct combat was rare.

As film historian Petar Kardjilov notes, “Only a few films in Bulgaria’s film making are said to be legendary. One of them is The Balkan War. It is a well preserved and unique cinema document of military conflict of recent European history. The Balkan War was one of the first large-scale armed conflicts after the beginning of the cinema age. It was a media event and film played its important part.”

* Free cinema screening: Tuesday 13 December 2022 at 18:00. Free tickets can be picked up at the ticket office of the Odeon cinema on the day of the screening.

* Free worldwide online premiere: The event will be recorded and uploaded on BNFA’s YouTube channel.

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Association des Cinémathèques Européennes – ACE and Creative Europe MEDIA join the celebration of the International Animation Day on 28 October, a perfect occasion to spotlight the magnificent contribution that the ‘grand dame’ of animation – Lotte Reiniger (1899 -1981) – has made to the field with her oeuvre of pioneering silhouette films.

To ensure that her legacy lives on, the DFF – Deutsches Filminstitut & Filmmuseum, is currently working to restore eight films from Reiniger’s early work. The films will premiere in a free screening with live music on 14 December, as part of A Season of Classic Films, an initiative by ACE that features free screenings of restored films and parallel activities across Europe to attract younger audiences to our shared cinematic cultural heritage, supported by Creative Europe MEDIA. Details about the screening event at DFF to be announced soon.

For dates and access links of the upcoming free screenings in cinemas across Europe and online, please follow ACE’s website and social media pages on Instagram | Facebook | Twitter.

About the International Animation Day

The International Animated Film Association (ASIFA) created the International Animation Day in 2002, to celebrate the birth of animation historically marked by the first public performance of projected moving images at Emile Reynaud’s Theatre Optique on 28 October 1892 in Paris.

Starting in France with 120 locations, ASIFA now coordinates and helps promote activities in more than 50 countries all over the world, putting the art of animation in the limelight in a global worldwide celebration of animation. Find out what’s happening this year at http://iadasifa.net/.

Read more

Restored by Filmoteca de Catalunya in 4K, the film Apartado de Correos 1001 (P.O. Box 1001) will be presented in a free open-air screening event at the Plaza de Salvador Seguí on Sunday 17 July 2022 at 22:00, as part of A Season of Classic Films. The film will also be free-to-view worldwide between 18 and 19 July.

This film is a great classic of Barcelona’s cinema noir. An echo of the Hollywood thrillers in the context of the Franco regime.

The film was shot on location: on the streets and at popular venues of 1950s Barcelona city centre, especially the neighbourhood where the cinema theatre of Filmoteca de Catalunya is located nowadays. How does this film from the fifties connect to the realities of the neighbourhood today? Filmoteca has conceived a physical and virtual itinerary that connects films linked to the area of Raval. The result is a collaborative map to understand how cinema produces reality and reality produces cinema. The map is available to pick up at the Filmoteca or in a digital version. Audiences can follow the itinerary in the way that suits them best (fragmented, complete, with or without company…) and are encouraged to share snapshots using the tag #FilmoRutaRaval. An organised walk will take place before the film screening, upon registration.

Apartado de Correos 1001 (P.O. Box 1001) | Spain, 1950, 90’, fiction

Director: Julio Salvador. Producer: Emisora Films. With: Tomás Blanco, Modesto Cid, Elena Espejo, Guillermo Marín, Conrado San Martín. Script: Julio Coll, Antonio Isasi-Isasmendi. Cinematography: Federico G. Larraya. Music: Ramón Ferrés. Physical characteristics of first release: 16mm, 90’, B&W, sound, Spanish. Film copy screened during A Season of Classic Films: New restoration. DCP 4K, 90’, Spanish. Subtitles available: English, French. Copyright: Video Mercury Films, SAU.

Barcelona, 1950. A man is murdered in the street in front of a police station. Two agents of the criminal brigade, a skilled veteran and an eager young one, are in charge of the investigation. We follow them on their journey to a thrilling climax in a local amusement park.

A Season of Classic Films: Celebrating film heritage across Europe

A Season of Classics Films is a series of free film screenings and parallel activities across Europe designed to attract younger audiences to our shared cinematic cultural heritage. The programme looks to raise awareness of the work of European film archives, connecting the public with cinema history and the significance of film preservation. Most of the films are premiere digital restorations and some screenings include live performances and educational interactive sessions. All films are available with English subtitles. Additionally, French or other subtitles are in some cases available. This is an initiative of the Association des Cinémathèques Européennes (ACE) with the support of the EU Creative Europe MEDIA programme.

For dates and access links of the upcoming free screenings in cinemas across Europe and online, please follow ACE’s website and social media pages on Instagram | Facebook | Twitter.

ABOUT THE ASSOCIATION DES CINÉMATHÈQUES EUROPÉENNES (ACE)

The Association of European Cinematheques (Association des Cinémathèques Européennes – ACE) is an affiliation of 49 European national and regional film archives. Its role is to safeguard the European film heritage and make the rich audiovisual records collected and preserved by the various film archives accessible to the public. ACE members are non-profit institutions committed to the FIAF Code of Ethics.

Follow ACE news on social media  Instagram | Facebook | Twitter

ACE presents the 3^rd edition of A Season of Classic Films, which includes cinema and online screenings of restored films and parallel events organised by 22 European film archives between June and December 2022.

Opening night is Thursday 9 June (International Archives Day) and will start with the world premiere of the restored Face to Face (1966) by the Greek Film Archive. The film is about a timid young man hired to give English lessons to the daughter of a nouveau riche family. The screening will take place at Lais Open Air Cinema in Athens, while free online access is available for one day starting at 20:00 (Paris time) on 9^th June.

On Friday 10 June, the programme continues with the restored Croatian comedy Blue 9. The film will be presented by the Croatian state archive – Croatian cinematheque at the main cinema room of the Archives and it will be free-to-view online from 10 to 17 June.

Both online screenings offer worldwide access with English subtitles.

Πρόσωπο με Πρόσωπο [Prosopo me Prosopo] (Face to Face) | Greece, 1966, 84’, fiction

Director-Producer: Roviros Manthoulis. With: Costas Messaris, Eleni Stavropoulou, Theano Ioannidou, Lambros Kotsiris, Alexis Georgiou, Mary Gotsi. Script: Roviros Manthoulis, Kostas Mourselas. Cinematography: Stamatis Trypos. Music: Nikos Mamangakis. Editing: Panos Papakyriakopoulos. Physical characteristics of first release: 35mm, 1:1.66, 24fps, 84’, B&W, sound, Greek. Film copy screened during A Season of Classic Films: Restoration premiere. DCP 4K (physical screening) and ProRes (online screening), 84’, Greek. Subtitles: English. Copyright: Roviros Manthoulis.

The main story of the film is about a poor English teacher who tutors the daughter of a rich family and flirts with both the daughter and her mother. Manthoulis presents a bitter satire of the new bourgeoisie which was profiting from the rapid economic growth in the 1960s but also presents a unique portrait of Athens experiencing a rapid and poorly planned urban development.

Only a few weeks after filmmaker Roviros Manthoulis passed away, this screening also serves as a tribute to his acclaimed work. Manthoulis played a crucial role in the renewal of Greek cinema in both documentary and fiction film. In the beginning of April, he was informed about how the restoration of his film Face to Face was going and of the great impression it made to the colleagues at the laboratory of Imagine Ritrovata in Paris – he was happy but also very modest. He died on April 21st, exactly 55 years after his film was first screened in Hyeres Festival. It was enthusiastically received by both the public and the critics and, as a result, it was screened at the Cannes Film Festival. Manthoulis then made statements against the Greek military junta (1967-74) that were broadcast worldwide and the film was banned by the colonels.

The image and sound restoration have been carried out in 4K based on the original 35mm negatives, preserved at the Greek Film Archive vaults. The film will be screened during the 12^th Avant Garde Film Festival in Athens, following a roundtable discussion on film restoration including film experts Cecilia Barrionuevo, Ehsan Khoshbakht, Céline Ruivo, Elena Tammacarro, and Marian Vujovic as well as the inauguration of the Greek Film Archive’s exhibition “Magical Images”.

Plavi 9 (Blue 9) | Yugoslavia, 1950, 93’, fiction

Director: Krešo Golik. Producer: Jadran film. With: Irena Kolesar, Jugoslav Nalis, Antun Nalis, Ljubomir Didić, Tješivoj Cinotti, Šime Šimatović, Josip Daneš, Stane Sever, Veljko Maričić. Script: Geno Senečić, Hrvoje Macanović, Krešo Golik. Cinematography: Nikola Tanhofer and Slavko Zalar. Music: Bruno Bjelinski. Editing: Radojka Ivančević. Physical characteristics of first release: 35mm, 93’, B&W, optical sound, Croatian. Film copy screened during A Season of Classic Films: New restoration. DCP 2K, 93’, Croatian. Subtitles: English. Copyright: Jadran film (until the end of 2000); authors rights.

The film Blue 9 depicts adventures in the world of football with all the challenges and glory this game offers. The main striker of the city football team, Fabris, is a selfish individualist convinced of his irreplaceability. He is also a womanizer who tries to seduce young Nena, a hardworker and successful swimmer. Nena is close to the underwater welder Zdravko, a talented football striker who wears a jersey with a blue 9.

The basic formula of this film is part of the agitprop, which dealt with one of the foundations of the socialist system – physical education. The ideological engagement did not prevent the film from becoming a big hit in cinemas, mainly due to attractive footage of sport competitions, girls in bathing suits, and the fashionable life of football stars. Blue 9 is regarded as the first Yugoslav film to escape from the war narrative and set its plot in the everyday life.

A Season of Classic Films: Celebrating film heritage across Europe

A Season of Classics Films is a series of free film screenings and parallel activities across Europe designed to attract younger audiences to our shared cinematic cultural heritage. The programme looks to raise awareness of the work of European film archives, connecting the public with cinema history and the significance of film preservation. Most of the films are premiere digital restorations and some screenings include live performances and educational interactive sessions. All films are available with English subtitles. Additionally, French or other subtitles are in some cases available. This is an initiative of the Association des Cinémathèques Européennes (ACE) with the support of the EU Creative Europe MEDIA programme.

For dates and access links of the upcoming free screenings in cinemas across Europe and online, please follow ACE’s website and social media pages on Instagram | Facebook | Twitter.

ABOUT THE ASSOCIATION DES CINÉMATHÈQUES EUROPÉENNES (ACE)

The Association of European Cinematheques (Association des Cinémathèques Européennes – ACE) is an affiliation of 49 European national and regional film archives. Its role is to safeguard the European film heritage and make the rich audiovisual records collected and preserved by the various film archives accessible to the public. ACE members are non-profit institutions committed to the FIAF Code of Ethics.

Follow ACE news on social media  Instagram | Facebook | Twitter

The third edition of ‘A Season of Classic Films’ was presented today at the EU Pavilion in Cannes when ACE (Association des Cinémathèques Européennes) revealed details of the new programme running June to December 2022 in European cinemas and online.

A Season of Classic Films

‘A Season of Classic Films’ is a series of free screenings designed to attract younger audiences to our shared cinematic cultural heritage. The programme looks to raise awareness of the work of European film archives, connecting the public with cinema history and the significance of film preservation. Most of the films are new digital restorations, and some screenings include dynamic elements such as live music performances and educational interactive sessions. All films are available with English subtitles.

Twenty-two film archives from 21 European countries (all ACE members) will participate in the classic film season, and each archive has selected a film or film compilation from their own collection to restore and present.

Joint Restoration Grant

Additionally at the event in Cannes, ACE presented the Joint Restoration Grant of €50,000 awarded for the restoration of the film Life of a Shock Force Worker (1972). The jury, comprising filmmaker Sergei Loznitsa, Pordenone Silent Film Festival director Jay Weissberg and director of the Cinema-Fiction Department of ARTE Claudia Tronnier, selected the film from a raft of proposals submitted by European film archives.

Four partner institutions from Slovenia, Croatia, Austria and Bosnia are joining forces to restore Life of a Shock Force Worker, a wonderful example of Yugoslavian New Cinema. Inspired by daily life in a coal mine, the film critiques the political regime of the era, all the time illustrating the state ideology of comradeship and unity. It further offers a clearer and more nuanced view of Yugoslavian film history, one of the blind spots on the map of European film heritage, and at the same time touches upon the pertinent matter of propaganda in our post-truth era.

“Large parts of the Yugoslavian film heritage have so far been underserved,” the jury writes of its choice. “Life of a Shock Force Worker has strong imagery, but it is in desperate need of colour grading since the original has faded with time. A key asset is that ACE and the four partner institutions responsible for this restoration project will collaborate with DoP Karpo Godina.”

During the war in Bosnia in the 1990s, film director Bahrudin Bato Čengić deposited a 35mm print of the film at the Slovenian cinematheque, while the image and sound negatives remain at the Croatian state archive. Post-restoration, the film will be offered in a new 2K edition with the support of the EU Creative Europe MEDIA programme and the Ministry of Culture of Republic of Slovenia.

Cinema and online screenings

This year’s ‘A Season of Classic Films’ promises to offer very much an in-person series of events and presentations within European cinemas. Most of the films will also be available online to allow for a greater reach to international audiences, building up on the experience gained during the previous edition.

“The second edition of A Season of Classic Films took place when most of our public venues were closed for long periods of time,” says ACE President Sandra den Hamer, also Director of Eye Filmmuseum. “Nevertheless, European cinematheques actively connected with their audiences through online screenings, new streaming platforms and/or hybrid events. ‘A Season of Classic Films’, as a joint project, again strengthened the collaboration and solidarity between the participating film institutions.”

The Cannes ‘A Season of Classic Films’ presentation took place on May 23 at the EU Pavilion. The event was moderated by Paulina Reizi (Eye Filmmuseum, Coordinator of A Season of Classic Films). Speakers and special guests included Sandra den Hamer (President of ACE and director of Eye Filmmuseum), Sergei Loznitsa (Filmmaker), Claudia Tronnier (Director of the Cinema-Fiction Department at ARTE) and Jay Weissberg (Director of the Pordenone Silent Film Festival).

ABOUT THE ASSOCIATION DES CINÉMATHÈQUES EUROPÉENNES (ACE)

The Association of European Cinematheques (Association des Cinémathèques Européennes – ACE) is an affiliation of 49 European national and regional film archives. Its role is to safeguard the European film heritage and make the rich audiovisual records collected and preserved by the various film archives accessible to the public. ACE members are non-profit institutions committed to the FIAF Code of Ethics.

Follow ACE news on social media

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Twitter: https://twitter.com/acefilmeu

Facebook: https://www.facebook.com/AssociationdesCinemathequesEuropeennes

YouTube: https://www.youtube.com/watch?v=I6t1DuueXow