Category: News

A Season of Classic Films: ACE – ARTE Partnership

Starting on 21 March 2022, ARTE will present in collaboration with the Association des Cinémathèques Européennes (ACE) a diverse programme of European films with a focus on modern film heritage. As part of this programme, ARTE licensed feature films from ACE’s A Season of Classic Films catalogue that consists of newly-restored distinguished titles and less known gems (see catalogue here).

The programme will premiere with La Strada in primetime in combination with the launch of selected films by ACE on ARTE’s digital platforms. New film titles will be added on a monthly basis. Each film will be available for free for 90 days, Europe-wide, with subtitles in English, French, German, Polish, Italian and Spanish.

The titles from ACE’s A Season of Classic Films catalogue include: The Man who had his hair cut short (1965, André Delvaux) – Royal Belgian Film Archive, She Didn’t Say No! (1958, Cyril Frankel) – Irish Film Institute, Derborence (1985, Francis Reusser) – Cinémathèque suisse, The Wayward Girl (1959, Edith Carlmar) – Norwegian Film Institute, and The Death of a Horse (1992, Saimir Kumbaro) – Albanian National Film Archive. These films will be complemented with additional titles co-curated by ACE member institutions. ACE facilitates the selection and acquisition of archival films in high-quality digital remastered versions, which are provided together with curated texts and contextual information. A video trailer and the full programme will be published in the beginning of March.

The ACE-ARTE partnership aims to make European film heritage and cinema history more visible and accessible to greater audiences. The initial timeframe for this programme is planned until the end of 2023, with a hope to extend this collaboration in the longer term to jointly offer restored films on TV, web and cinemas.

A SEASON OF CLASSIC FILMS: PROGRAMME UPDATES

 

A Season of Classic Films is a programme supported by the EU Creative Europe MEDIA programme.

Featured image: Screening of Comizi d’amore (PP Pasolini) by Cineteca di Bologna as part of A Season of Classic Films, 28 June 2021. Credit: Margherita Caprilli.

Follow ACE on social media for the latest news: Facebook / Instagram / Twitter

 

Eye Filmmuseum’s new online offer

ANP KIPPA KOEN VAN WEEL

The Omicron variant has caused many film archives to close their doors once again and to implement ways to reach their audiences even when the traditional film theater is closed. Since Holland is lockdown, Eye Filmmuseum is offering new selections on its streaming platform Eye Film Player.

Eye Filmmuseum is showing monthly curated programmes dedicated to Dutch avant-garde and experimental films, both recent and older. The avant-garde film selection can be accessed here and Eye has also published a film dossier which can be found here. On the streaming platform it is also possible to find our which movies are accessible from your region via the “Availability by region” filter.

Eye Filmmuseum is also happy to announce that the British Time Out Magazine has named the Amsterdam Tuschinski Theater as the most beautiful of the world and on the Eye Film Player a documentary on the cinema, featuring Max von Sydow is available.

Deadline Reminder: Call for Proposals Eye International Conference 2022

From 29 – 31 May, 2022, Eye Filmmuseum, the University of Amsterdam (UvA), Amsterdam School for Cultural Analysis (ASCA), and the Association of Moving Image Archivists (AMIA) will present the 7th Eye International Conference on ‘Global Audiovisual Archiving: Exchange of Knowledge and Practices’.

The annual Eye International Conference is an opportunity for scholars, archivists, curators, researchers, filmmakers, students, artists, and film enthusiasts from across the world to gather and explore contemporary professional and academic issues affecting audiovisual heritage today.

The 2022 edition will focus on the imbalance or current misrepresentation of global audiovisual heritage holdings, looking in particular at the alarming scarcity of audiovisual heritage from the Global South in the digital space. We will provide speakers and participants a platform to encourage knowledge exchange between scholars and archivists from different parts of the world, and different archival traditions. The conference offers a space to consider the impact of geographical location, the availability of resources, technical and digital gaps, and different audiovisual traditions. We will discuss archival challenges and think together about new models for collaboration.

The goal of the conference is to broaden the knowledge and connections within the global archival community, leading to new insights on the status of film heritage and archiving in different parts of the world.

The Call for Proposals is now open and the deadline to apply is 16 January 2022. We encourage proposals from participants, archives, and regions that are underrepresented in conferences related to audiovisual heritage, discussing topics that highlight concrete, urgent, practical concerns, and threats to collections.

 

Read more about the Call for Proposals and submit your proposal online: www.eyefilm.nl/conference
Questions? Email us at conference@eyefilm.nl

 

Image © Francis Alÿs, REEL-UNREEL, 2011, Kabul, Afghanistan 2011, 19:32 min. In collaboration with Julien Devaux and Ajmal Maiwandi. BY-NC-ND

EYE Filmmuseum’s 75th anniversary: Meet the Archive initiative

Martha Colburn, What’s On (1977)

Meet the Archive, a EYE Filmmuseum initiative, showcases exceptional stories about (early) film history, highlights forgotten filmmakers, reports on new cooperations and shows what often remains hidden: the behind the scenes of the day-to-day programming.

Because of the coronavirus measures, this year Meet the Archive will not take place in Eye Filmmuseum itself. However since this year  marks the 75th anniversary of Eye, the collection specialists have created eight online installments of Meet the Archive to celebrate this milestone. The collection specialists will discuss the history of the collection, major conservation projects, and innovations in the area of restoration and screening practice.

 

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A Season of Classic Films: Travel through Switzerland

Lichtspiel / Kinemathek Bern joins the second edition of A Season of Classic Films with a compilation of unique short films that takes viewers to a journey to the various regions of Switzerland. The compilation consists of eight newly digitised films, presenting aviation pioneers in the 1920s to progressive women in the 1960s. The films will premiere on Thursday 2 September at 20:00 CEST in a special free-admission event at Lichtspiel’s premises in Bern and via live stream with English subtitles. An introduction by Brigitte Paulowitz, Head of Film Collections and Restorer at Lichtspiel, will provide the context to the films.

Watch Travel through Switzerland

A Season of Classic Films is an initiative of the Association des Cinémathèques Européennes (ACE) with the support of the EU Creative Europe MEDIA programme to raise awareness of the work of national and regional film archives, connecting the public with cinema history and the preservation of film heritage. Twenty-two European film institutions are taking part this year offering free access to films from their precious collections. This screening is organised by Lichtspiel / Kinemathek Bern.

Reise durch die Schweiz (Travel through Switzerland) | Switzerland, 1920-1961, 102′

  1. Basler Flugtag. 12. September 1920. Advertisement, 1920, 9’, silent.
  2. [Familienferien Tessin]. Amateur film, 1930, 14’, silent.
  3. Hollywood Ball im Kursaal, 13. August 1932. Documentary, 1932, 16’, silent.
  4. [Generalversammlung SLV vom 30.11.1949 in Baden und Herr Speck]. Documentary, 1932, 7’, silent.
  5. Printemps neige et ski à Grindelwald. Documentary, 1947, 12’, sound.
  6. Lambretta. Advertisement, 1950, 4’, sound.
  7. Wer mit der Zeit geht. Documentary, 1953, 17’, sound.
  8. Frauen im helvetischen Mosaik. Documentary, 1961, 23’, sound.

The short films have been digitised, based on original film elements preserved by Lichtspiel / Kinemathek Bern, with the support of A Season of Classic Films.

A SEASON OF CLASSIC FILMS: PROGRAMME UPDATES

A SEASON OF CLASSIC FILMS: PROGRAMME CATALOGUE

 

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A Season of Classic Films: ‘The Wayward Girl’ By Edith Carlmar

Cinemateket / The Norwegian Film Institute joins A Season of Classic Films with the restored film Ung flukt (Edith Carlmar, 1959), a teen rebellion drama with Liv Ullmann in her debut role, with a free special cinema screening event on Wednesday 25 August at 18:00 CEST at Cinemateket in Oslo, while the film will be free-to-view worldwide between 26 August and 2 September, with English subtitles.

Watch Ung flukt here (26 August – 2 September)

The digital restoration was carried out by the National Library of Norway in 2018 and has drawn attention internationally to the work of Edith Carlmar, the number one female director in Norwegian post-war cinema. Carlmar was not only Norway’s first female director, but she made what is considered to be the country’s first film noir (Death Is a Caress). Together with her husband Otto Carlmar, she founded the film company Carlmar Film AS, where he produced and she directed one brilliant film after another. She directed ten films in ten years and Ung flukt is her last feature film.

Speaking about the restored film, Head of Cinemateket Jan Langlo said, “The restored version of Ung flukt (The Wayward Girl) was selected for Berlinale Classics in 2019. This generated quite a lot of interest in both this film and other films by Edith Carlmar, and there are several retrospectives of her films being planned at international festivals in 2021 and 2022. New viewers recognise Ung flukt as a surprisingly vital film, with a vibrant Liv Ullmann in her screen debut.” 

A Season of Classic Films is an initiative of the Association des Cinémathèques Européennes (ACE) with the support of the EU Creative Europe MEDIA programme to raise awareness of the work of national and regional film archives, connecting the public with cinema history and the preservation of film heritage. Twenty-two European film institutions are taking part this year offering free access to films from their precious collections. This screening is organised by Cinemateket / The Norwegian Film Institute.

Ung flukt (The Wayward Girl) | Norway, 1959, 95′

Director: Edith Carlmar. Producer: Otto Carlmar. Cast: Liv Ullmann, Atle Merton, Rolf Søder, Nanna Stenersen, Randi Brænne, Tore Foss. Physical characteristics of first release: 35mm, 95’, B&W, mono sound, Norwegian. Film copy screened during A Season of Classic Films: DCP, 95’, B&W, sound, Norwegian. Available subtitles: English. Copyright: Norwegian Film Institute.

Ung flukt is based on a book by Nils Johan Rud and tells the story of 17-year-old Gerd, the illegitimate daughter of a single working mother. Gerd, played by Liv Ullmann in her first lead role, has fallen into delinquency. After she spends a brief stint in police custody, Gerd’s boyfriend, a student, disobeys his parents and takes her away to the country to protect her from bad influences.

  • Wednesday 25 August, 18:00, Cinemateket Dronningens gate 16 0152 Oslo. With English subtitles. Introduced by Hege Jaer, Curator at Cinemateket. Reserve your free ticket here!
  • Thursday 26 August – Wednesday 2 September. Watch free online here, worldwide access, English subtitles.

 

A SEASON OF CLASSIC FILMS: PROGRAMME UPDATES

A SEASON OF CLASSIC FILMS: PROGRAMME CATALOGUE

 

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A Season of Classic Films: Premiere of the Restored Film ‘Derborence’ (1985)


Cinémathèque suisse will present the new 4K restoration of Derborence, a landmark work by the Swiss filmmaker Francis Reusser (1942-2019), during two free special screenings, one at the Locarno Film Festival (12 August) and one at the Festival international du film alpin des Diablerets (14 August).

The digital restoration was carried out by the Cinémathèque suisse in the Color Grade laboratory, with the support of RTS. The special free screening events are offered by A Season of Classic Films, an Association des Cinémathèques Européennes (ACE) initiative with the support of the EU Creative Europe MEDIA programme and in partnership with Cinémathèque suisse.

Twenty-two film institutions from all over Europe, including the Cinémathèque suisse, are taking part this year in A Season of Classic Films. The initiative offers free access to restored European films, connecting the public with cinema history and the preservation of film heritage.

Derborence | Switzerland/France, 1985, 99′

Director: Francis Reusser. Producer: Jean-Marc Henchoz, Claude Stadelmann. Cast: Isabel Otero, Jacques Penot, Maria Machado, Jean-Marc Bory, Bruno Cremer. Music: Maria Carta / Sound Design: François Musy / Cinematography: Emmanuel Machuel / Film Editing: Christine Benoît and Francis Reusser / Production Design: Jean-Marc Stehlé / Costume Design: Rose-Marie Melka. Physical characteristics of first release: 35mm, 99’, colour, sound, French. Film copy screened during A Season of Classic Films: New restoration. DCP, 99’, colour, sound, French. Copyright: Les productions JMH, Marion’s Films, Sagittaire production.

The lives of two newlyweds, Antoine, an alpine shepherd, and Thérèse, are overturned when a landslide swallows the mountain pasture where Antoine is working. Believed to be dead by everyone, Antoine suddenly returns home. In this adaptation of Charles Ferdinand Ramuz’s novel, Francis Reusser has crafted a sensual alpine western, which competed in Cannes in 1985 and received the César for the best French-language film the following year.

  • Thursday 12 August, 15:00, PalaCinema 1, 74 Locarno Film Festival. With English subtitles. Introduced by Emmanuelle de Riedmatten, Jean Reusser and Frédéric Maire. Reserve your free ticket here!
  • Saturday 14 August, 13:30, Festival International du Film Alpin des Diablerets (FIFAD 2021). Closing screening event, more information here.

 

A SEASON OF CLASSIC FILMS: PROGRAMME UPDATES

A SEASON OF CLASSIC FILMS: PROGRAMME CATALOGUE

 

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Il Cinema Ritrovato 2021 | Case Study: Italia K2

On July 27th, before the screening in Piazza Maggiore, Andrea Meneghelli (Cineteca di Bologna) and composer and musician Daniele Furlati presented the restoration work on Mario Fantin’s footage of the 1954 expedition on K2, directed by the geologist Ardito Desio. The footage was originally part of the 1955 Marcello Baldi’s documentary Italia K2, but the restored version of the documentary will have its premiere at the Trento Film Festival and the screening in Piazza Maggiore focuses on the mountain scenery with a new editing by Andrea Meneghelli, texts by Albino Ferrari and original music by Teo Uselli orchestrated and adapted by Daniele Furlati.

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Il Cinema Ritrovato 2021 | Museo del Cinema di Torino’s new film laboratory

After the presentation from Cinémathèque Suisse, Museo Nazionale del Cinema di Torino took the stage of Auditorium DAMS Lab, on Monday 24th, to present its new film laboratory. The meeting featured two representatives from the film archive, Director Domenico De Gaetano and Head of the digital restoration area Gabriele Angelo Perrone, and was moderated by Davide Pozzi from L’Immagine Ritrovata.

The film laboratory opened in the first months of 2021. It is dedicated to the restoration and digitization of films, but the first focus of Museo del Cinema is interested is the digitization and safeguard of the mute cinema from Torino. The laboratory is divided in three spaces to optimize the workflow and it features a latest-generation server. The Museo del Cinema also owns a scan station, that permits to digitalize the film materials by following the FIAF protocols. For what concerns the programs used, they are currently still in a testing phase.

The main purpose of the laboratory is to make possible for the Museo del Cinema di Torino to be independent in the restoration of its archive and others in the city of Turin, such as the Aiace archive. Among the restorations curated by Museo del Cinema di Torino, this year’s Cinema Ritrovato hosted “I raggi “Z” (Eleuterio Rodolfi, 1917), in collaboration with Cineteca di Bologna and Národní filmový archiv.