After a one-year stop due to the pandemic, ACE has returned in Bologna for its annual workshop during Il Cinema Ritrovato festival. The event, hosted by MAMbo – Museo d’Arte Moderna di Bologna, was in collaboration with Europa Cinemas. The ACE workshop, moderated by professor Francesco Clerici, was divided in two sessions. The morning one was an opportunity to discuss the re-opening of cinemas and the presence of new platforms, while the afternoon was dedicated to film education.
After the first two meetings about restoration, curators Sylvie Pras and Massoumeh Lahidji presented the exhibition dedicated to filmmaker, writer, artist and photographer Abbas Kiarostami. The exhibition named Où est l’ami Kiarostami?, echoing the title of one of its most famous films (Où est la maison de mon ami?), is hosted by a very special venue: Centre Pompidou. The closeness to the entrance and the free access are key features of the homage to the Iranian director for the two curators, that want this to be a full immersion in Kiarostami’s body of work.
The exhibition wants to cater to those who are familiar with his work and those who aren’t by facilitating the encounter between the artist and the audience. It offers insights in all the different aspects of Abbas Kiarostami‘s career with graphic works, photographs, film sequences and much more, bringing his poetic way of seeing the world to life.
Où est l’ami Kiarostami? was designed by Centre Pompidou in partnership with mk2 (which has restored Kiarostami‘s films) and the Kiarostami Foundation and it offers a visit route between different modules, where his works clash and collaborate to create something new, over an area of more than a thousand square meters.
Click here to find out more.
Il Cinema Ritrovato hosts during the mornings a series of meeting about restoration. The first one took place in the morning of July 21st at the Auditorium DAMS Lab in Piazzetta Pasolini, where Bruno Mestdagh, responsible for the CINEMATEK‘s Digital Film Collections, presented their restoration of De Man die zijn haar kort liet knippen (L’Homme au crâne rasé), André Delvaux‘s 1965 adaptation of the same-named novel by Johan Daisne.
The brand-new restoration had its world premiere during two free special screenings promoted by A Season of Classic Films in CINEMATEK’s renovated cinema. This is a new digital restoration in 2K from the original negative material preserved and restored by CINEMATEK. The restoration and free screenings are made possible thanks to A Season of Classic Films, an initiative of the Association des Cinémathèques Européennes (ACE) with the financial support of the EU Creative Europe MEDIA programme.
After the première at Cannes Film Festival, the restoration of Roberto Rossellini‘s Francesco Giullare di Dio (The Flowers of St. Francis) carried out by Cineteca di Bologna and The Film Foundation in collaboration with RTI-Mediaset and Infinity+ has been shown in Bologna during the opening day of Il Cinema Ritrovato. The film, featured in the strand named Ritrovati e Restaurati I, was introduced by actress Isabella Rossellini, who also took part in two other events: a conversation with Alice Rohrwacher with the title Cinema in Campagna and the screening of Il Mulino del Po (dir. Alberto Lattuada) in Piazza Maggiore, accompanied by two shorts (Omelia Contadina by Alice Rohrwacher and JR and Green Porno by Isabella Rossellini).
Today’s screening took place in Arena del Sole, one of Bologna’s most beautiful and prestigious theaters. Isabella Rossellini was interviewed by Gianluca Farinelli, the Cineteca di Bologna’s director. The actress explained how her father chose to focus on St. Francis because he is perceived as the people’s saint. Even those who didn’t go to church were interested in him. “This film was born in 1954, after the war, where reconciliation was a very important subject”, continued Isabella Rossellini.
One of the most peculiar aspects of this film is its sense of humor, mostly thanks to Fellini’s collaboration. According to Gianluca Farinelli, Francesco Giullare di Dio represents the denial of the typical rules of entertainment and this is why it can be considered a Manifesto of auteur cinema, inspiring titles such as Pasolini‘s Il vangelo secondo Matteo (The Gospel According to St. Matthew). Isabella Rossellini voiced her hope that this film can be of inspiration for any aspiring director because it teaches the importance of semplicity. She concluded her intervention by sharing a brief anecdote regarding her father: “one time he was invited to a school for a conference and he brought his camera. All the students were staring at it mesmerized but he told them that if he were a writer they wouldn’t have stared at his pen. The ideas matter, not the medium”.
The 7th edition of Eye’s annual public lectures series This is Film! Film Heritage in Practice is the first one to be available online. With this series, Eye aims to interest a wider audience for issues related to the preservation, restoration and presentation of film heritage. Throughout 6 sessions, this edition focusses on the overarching theme of re-use and recycle of archival films from different perspectives. All lectures and Q&A sessions with guest speakers are available on YouTube. A selection of films screened during the sessions is available on the Eye Film Player.
Introduction by Giovanna Fossati (Chief Curator at Eye and Professor of Film Heritage at the University of Amsterdam). Q&A in collaboration with the Master students of the This is Film! class at the University of Amsterdam.
This year’s ACE worshop will take place on July 22nd in Bologna, during il Cinema Ritrovato. The event, in collaboration with Europa Cinemas, will be divided in two different session, one in the morning and one in the afternoon, regarding the re-openings and film education. You can find the programme of the day below.
426 films in 8 days: this is what awaits cinephiles in the 35th edition of the Il Cinema Ritrovato festival, promoted by Cineteca di Bologna. The festival will take place in presence in Bologna, from the 20th to the 27th of July. 8 days of non-stop screenings in 7 different cinemas e every night a screening in Piazza Maggiore and LunettArena. In Biblioteca Renzo Renzi you will be able to find, as usual, the Book Fair, the editorial fair dedicated to publications regarding cinema. A selection from the programme will be available online (worldwide) on MYmovies. Il Cinema Ritrovato will also host ACE’s yearly workshop on July 22nd: don’t miss it!
The Cannes Film Festival returns, after a one-year stop because of the pandemic, for a new edition. As always, the festival has a section named Cannes Classics, that features the best restored prints of the previous months. These are the movies the ACE members have worked on that are going to be screened in Cannes: Read more
Are now available in the Members’ Area.
The Inspiration Forum LAB is an interdisciplinary research program by Ji.hlava International Documentary Film Festival designed to provide a space where artists and scientists can meet and work together on creating research-based multimedia art projects. The aim is to combine the scientific and artistic language to find ways of expression that could communicate to audiences beyond the boundaries of each of these two worlds.
The project welcomes applicants from various fields (artists, film makers, architects, designers, social scientists, environmentalists, technology innovators, etc.) who want to ask fundamental questions about the predominant narratives we exchange about the world and our role in it. Similarly, it is encouraged the partecipation of those who are interested in a transdisciplinary and collaborative approach combining science, technology, and the arts. The deadline for applications is September 13, 2021.
More informations here: https://www.ji-hlava.com/inspiracni-forum