7 November 2012 – For its first editon, the International Festival of Restored Film presents more than 40 screenings across the three sections of the programme: Tribute to Martin Scorsese’s Film Foundation, Restorations and early films, The early days of the talkies (1900-1932) as well as ciné-concerts, workshops, lectures, and roundtable discussionon on the methods and ethical and technical challenges involved in restoring images and sound. Many restored films will be screened in France for the first time: All That Jazz by Bob Fosse (1979), The Fireman’s Ball by Mi los Forman (1967), Blackmail by Al fred Hitchcock (1929), The Living Corpse by Fedor Ozep (1929), The Goose Woman by Clarence Brown (1925), The Chase by Arthur Ripley (1946), They made me a fugitive by Alberto Cavalcanti (1947), Le Joli Mai by Chris Marker and Pierre Lhomme (1962), M by Joseph Losey (1951), Misère au borinage by Joris Ivens and Henri Storck (1933) and the sound version of Lonesome by Paul Fejos (1928). In partnership with Fond Culturel Franco Americain.
4 May 2012 – The 5th edition of the Film Restoration Summer School / FIAF Summer School will take place in Bologna from June to July 2012. The project is organised and hosted by Cineteca di Bologna in collaboration with ACE and FIAF. The main objective of the Summer School is to teach and update participants on how to restore and preserve a film through the use of photochemical and new digital technologies. It is designed for both for archivists and staff working at FIAF archives, and students. For the Festival Edition 2012, ACE awarded a scholarship to five applicants.
Programme and timetable 2012 On-line Distance Learning: 9 May- 20 June (on Wednesdays) Theory Classes: Bologna, Il Cinema Ritrovato Film Festival, 23 – 30 June Restoration Practice: Bologna, 2 – 13 July During the internship, participants are supervised by international experts and laboratory staff to put into practice what they learned during their first week of theory.
Please find more information, the full programme and the list of the 36 selected participants here.
19 September 2011 – On 13 and 14 October, film makers, curators and historians, technicians, and producers, will meet at La Cinémathèque Française in Paris to discuss the transition from analogue to digital and its impact on the founding missions of cinematheques : to collect, conserve, restore and show. The symposium will focus on 4 topics: