In 2019 Montenegrin Cinematheque is joining the celebration of European Heritage Days with the team “Arts and Entertainment”, which will be celebrated on the local and national level in the last week of September, between 23rd and 30th.
As usual, all events will be free of charge and opened to participants from different municipalities. Local and national institutions will organize exhibitions, visits to cultural heritage sited, as well as presentations of tangible and intangible heritage. Part of the program will be dedicated to educational workshops, lectures aimed for children and pupils and art competitions.
With associative films rich in imagery, such as Andrei Rublev (1966), Solaris (1972), The Mirror (1974) and especially Stalker (1979), Andrei Tarkovsky (1932‒1986) made his name as a leading innovator of the language of cinema. This autumn, Eye presents an exhibition and film programme devoted to the celebrated filmmaker and mystic, focusing specifically on Tarkovsky’s quest for existential truth. In addition to immersing the visitor in Tarkovsky’s imagery, the exhibition includes unique documents — letters, photos and Polaroids — that have never previously been displayed in the Netherlands. Moreover, the accompanying film programme features digitally restored films.
14 September – 6 December 2019 www.eyefilm.nl/tarkovski
The exhibition has been conceived to get as close as possible to Tarkovsky and his work. That is why it will immerse visitors in the director’s imagery, intoxicating them, as it were, with numerous precisely chosen fragments from his films. This approach follows the ideas of the filmmaker regarding the ‘poetry of the image’ and the necessity of a ‘poetic logic’ and a ‘poetic montage’.
Especially unique is the collection of Polaroids and photographs – never previously shown in the Netherlands – made by Tarkovsky in a private capacity and while filming. The exhibition will also include material from Tarkovsky’s private archives, including letters, scripts and other documents that have never before been presented. These mementos of Tarkovsky’s personal and professional life have been made available by Tarkovsky’s son Andrei Andrejevich Tarkovsky.
If you attend the Classical Film Market in Lyon or the Giornate del Cinema Muto in Pordenone, be sure to grasp your hard copy of the first Heritage Catalogue 2019/2020 produced by Eye International.
You can read all about our recent restorations and curated programs in this booklet. Eye International is responsible for the international marketing & promotion of Dutch films. Read more on our website: www.eyefilm.nl/en/eye-international
On September 6th, the Cinémathèque Suisse opened its new Research and Archive Center in the city of Penthaz in presence of Alain Berset, federal counselor, Isabelle Chassot, director of the Federal Office for culture, Cesla Amarelle, State counselor, and Pierre-Henri Dumont, mayor.
For Alain Berset, this Centre – with its 13000 m2 – hosts “one of the most important collections of treasures from film history of the entire world. But the real reason why it is so remarkable is because it represents the memory of Swiss cinema.” For him the inauguration of this Centre is “an important step in the process of modernizing and archiving our film heritage”.
Each year at Venice International Film Festival the section named Venice Classics highlights the importance of restoration by showcasing the work carried out by film archives, cultural institutions and production companies around the world. The restored film classics in the selection are in competition for the Best Restored Film prize, awarded by a jury of film students chaired – this year – by Costanza Quatriglio.
This year, the award went to Extase (Ecstasy, 1932) and the restoration carried out by Národní filmový archiv, thanks to the support of Milada Kučerová and Eduard Kučera and the collaboration of the Film Servis Festival Karlovy Vary. The film was chosen as the pre-opening event for the Venice Film Festival. The prize was accepted by Jonáš Kucharský, sound curator and restorer.
Between 4-11 September 2019, the Hungarian National Film Fund is organizing the 3rd Budapest Classics Film Marathon, the prominent international film festival of the Hungarian capital.
Over the eight days of the showcase, audiences can watch around 100 restored classic movies in cinemas in Budapest, while further screenings will be held in Eger and Győr. Budapest welcomes Pierre Richard, Michael Nyman, Udo Kier, Johanna ter Steege and Magda Vášáryová. Once again, Budapest Classics Film Marathon will offer free open-air screenings in front of St. Stephen’s Basilica, Budapest.
As part of the EU funded series of open air screenings, KAVI proudly presents Lang’s Metropolis. We will be screening the latest, most complete version with live music by the acclaimed Khid.
The screening will take place on 1 September on Kansalaistori, next to the best new library in the world. On other days, you are welcome to join us inside the building in Kino Regina for our regular cinémathèque screenings.
JTS is offering up to five travel grants for the upcoming Joint Technical Symposium in Hilversum (Oct 3-5).
JTS is committed to cultivating an environment in which includes a multiplicity of voices. Travel grants are open to everyone working in the field whose attendance will contribute to their professional and/or organizational development. Applicants will be asked to provide a short statement about the value of attending JTS.
Travel funding is limited and grants are not intended to cover all travel expenses. Please include the costs of your travel and registration as well as the amount of funding requested.
- Applicants will be asked to submit a statement (not more than 750 words) addressing the need for the award and how JTS will contribute to their professional development and/or that of their institution.
- Applicants will be asked for an estimated budget for costs of travel (transport and lodging) as well as the total funds requested for the grant.
- Applicants will be asked to upload their CV/Resume as well as a Letter of Recommendation from a senior manager or supervisor.
Grant recipients will be expected to attend the full conference as well as submit a post-conference report outlining their experience and any outcomes of the conference.
Submit your application here. Application deadline is September 1, 2019 and grant recipients will be notified by September 5, 2019.
Registration is open for a full week of audiovisual archiving knowledge and experience sharing: both the International Association of Sound and Audiovisual Archives’ 50th Annual Conference and the Joint Technical Symposium, stewarded by the Coordinating Council of Audiovisual Archiving Associations, will be taking place at the Netherlands Institute for Sound and Vision in Hilversum from September 30 – October 5. We’re happy to announce that registration for both events is now open! Save your seat for both or either event at 2019.iasa-web.org and jts2019.com.
#IASA50: IASA will be returning to the country of its birth, as the association was established in 1969 in Amsterdam to function as a medium for international co-operation between archives that preserve recorded sound and audiovisual documents. The preliminary programme is available at http://2019.iasa-web.org/programme. Do visit the conference website for more information about the conference, such as the programme, venue, travel advice, social events, information on workshops and tutorials, professional visits and other details: http://2019.iasa-web.org/. Please note that the “early bird” registration rate ends on September 2, 2019.
#JTS2019: JTS is the international scientific and technical symposium dealing with matters of particular importance to audiovisual archives and archivists. It provides an opportunity for audiovisual archiving experts from different backgrounds to come together, share new and upcoming technical advances in our field, and take positions that go beyond the boundaries of specific formats or domains. It is an occasion to inform each other about what’s going on in our field and seek cross-fertilization. Organized every few years since 1983 by the various audiovisual archives associations now forming the CCAAA, it provides an opportunity for colleagues around the world and those interested in the field to meet and share information about the preservation of original image and sound materials. Keep an eye on the website for updates: jts2019.com
We look forward to welcoming you in The Netherlands!
Communications & Outreach
Netherlands Institute for Sound and Vision
Media Parkboulevard 1, 1217 WE Hilversum
Postbus 1060, 1200 BB Hilversum | beeldengeluid.nl
UPDATE 25 September: Extended until the end of the year (31/12). Moreover, the possibility will also be offered to those responding to answer in another EU language than the ones of the consultation (EN, FR and DE).
We would like to inform you about the targeted consultation on the exercise of rights of performers and producers in the audiovisual sector published on the Commission’s website. The consultation will be open until the 31st of December. Your contribution would be very welcome, and we ask you kindly to please forward this email to anyone else in your network who might also want to provide feedback.
The aim of this targeted consultation is to gather relevant data on current market practices and on the exercise of rights of performers and producers in the audiovisual sector. The Commission will analyse these data in preparation of a report assessing the possible need for an extension of the term of protection of the rights of performers and producers in this sector, as required by Article 3(2) of Directive 2011/77EU.
This consultation is addressed at those engaged in the management of rights in the audiovisual sector. It mainly concerns performers and producers who are holders of related rights and their contractual partners such as broadcasters, distributors, sales agents, online platforms and cultural heritage institutions.
Please do not hesitate to contact Ms. Caroline Colin, Policy and Legal Officer-Copyright Unit, European Commission (firstname.lastname@example.org) should you have any questions.