Author: Association of European Cinematheques

Projectionists’ Workshops 2025

Applications for funding now open!

Following the success of the pilot phase of this new scheme last year, the ACE and FIAF are joining forces once again to support the ACE member institutions willing to spread and apply the knowledge and practice of analogue film projection. The idea of the Projectionists’ Workshop project is based on a common will to keep this craft and experience alive, and to support current and future colleagues in this field by offering them a platform for learning and sharing. 

The funding proposed (a total of 2.000€ per workshop) should help the selected hosting institutions to organise short Projectionists’ Workshops aimed at practicing professionals and motivated participants. It is expected that the workshops will attract participants by region and language, for the comfort of participants and to avoid long-distance travel. The financial contribution from ACE and FIAF can be used for honoraria, production of educational materials, accommodation, travel costs, and meals. 

The workshops should focus on knowledge exchange and best practices, for example in terms of repairs and maintenance, contact lists for suppliers of equipment and spare parts, and connections among projectionists. The workshops should also be open to projectionists not (yet) working for an archival cinema. 

How to apply?

Eligible applicants: ACE Members and/or FIAF affiliates based in Europe.

Financial allocation: The organising institution will receive between up to 2.000 EUR (joint support from ACE and FIAF).

Eligible expenses: Honoraria for invited experts/instructors, accommodation, travel costs, meals and coffee breaks, and production of educational materials.

Evaluation criteria:

  • Completeness of the application form
  • Clarity of the aims and content of the proposed workshop
  • Adequacy of the premises and equipment
  • Affordability of the event for the hosting institution
  • First-time applicants particularly encouraged

 

Please include the following information in your application:

  • Name of the organising institution
  • Region/language of the workshop
  • Contact information of responsible person(s)
  • Place of the workshop
  • Dates of the workshop
  • Hours of the workshop per day/proposed schedule
  • Number and profiles of the instructors
  • Maximum number of participants your workshop can host
  • Estimated itemised budget
  • Please describe the specific aims, content, and structure of the workshop you propose to host
  • Basic description of the projection equipment used during the workshop

Applications must be sent to projectionists@fiafnet.org by 1 September 2025. They will be evaluated by representatives of FIAF and ACE and selections announced by the end of September 2025. The selected workshops are expected to take place by May 2026.

A written report from the institution hosting the workshop should be submitted to projectionists@fiafnet.org no longer than two months after the workshop.

Any questions about this scheme? Please write to projectionists@fiafnet.org

 

 

ACE WORKSHOP BOLOGNA, TUESDAY 24 JUNE 2025

Association des Cinémathèques Européennes – ACE Workshop

in partnership with FIAF’s PACC (Programming and Access to Collections Commission of the International Federation of Film Archives) and Il Cinema Ritrovato

Cineconcerts | Il Cinema Ritrovato Festival 

Tuesday 24 June 2025
14:00 – 17:30
MAMbo – Museo d’Arte Moderna di Bologna, Via Giovanni Minzoni 14, 40121 Bologna, Italy.

Free admission. No reservation needed.

 

How to Disseminate Heritage Cinema in a Changing Society?
Context, Responsibility, and Engagement: Strategies for Selecting and Programming Controversial Films While Preserving the Integrity of Our Audiovisual Heritage

Classic films often reflect the complexities, contradictions, and sometimes troubling aspects of the eras in which they were made. In the context of evolving societal paradigms and increasingly diverse audiences, programming classic cinema today poses both challenges and opportunities. The role of film archives and Cinémathèques is not just to preserve and disseminate cinematic heritage, but also to provide meaningful and responsible mediation.

Today’s audiences, influenced by changing social values, heightened cultural sensitivities, and a growing awareness of historical injustices, view these works through new and diverse lenses.

The workshop will explore how programmers, curators and cultural mediators can respond to changing contexts by encouraging dialogue and helping audiences engage with the complexities of cinema history through modern and inclusive tools.

It will address several key issues related to the topic, including the evolution of programming and dissemination practices, the importance of contextualization, an analysis of new audiences’ dynamics, and parallels with the academic environment today.

The discussion will also reflect on the role of film archives within the audiovisual and cultural sectors, as well as the need for adequate financial resources for appropriate mediation actions, professional training and educational projects.

It will focus on the possibility of a dynamic, reflective approach to heritage cinema: one that can address controversy openly and embraces cinema’s capacity to illuminate the past while encouraging reflection in the present.

The panel will include contributions and testimonials from film programmers and curators, academics, and professionals working in the archival and cinema fields.

 

Moderator: Chicca Bergonzi, Directrice Pôle Valorisation Cinémathèque suisse

14:00 Introduction

 

Session 1: Curating Meaning: The Evolution of Film Programming Practices, Contextualization and Contemporary Audiences

14:15 – 14:30 Jay Weissberg (Director, Giornate del cinema muto, Pordenone)

14:30 – 14:45 Stefanie Schulte Strathaus (Artistic Director, Arsenal – Institute for Film and Video Art, Berlin)

14:45 – 15:00 Chalida Uabumrungjit (Director, Thai Film Archive)

15:00 – 15:15 Maelle Arnaud (Directrice de la programmation, Institut Lumière)

15:15 – 15:30 Discussion

15:30 – 15:45 Break

Session 2: New Archival Practices and the Future of Film Heritage: Mediation, Education, and Cultural Challenges

15:45 – 16:15 Lou Burkart (Curator, Eye Filmmuseum) & Sreya Chatterjee (Doctoral researcher, Martin Luther University, Halle-Wittenberg & HTW – University of Applied Sciences, Berlin)

16:15 – 16:30 Gérald Duchaussoy (Responsable section Cannes Classics, chargé de programmation au MIFC – Marché international du film classique – Lyon)

16:30 – 16:45 Anne Bidaux (Responsable des offres numériques cinéma et séries, ARTE)

16:45 – 17:00 Discussion

Closing Speech

17:00 – 17:30 Gianluca Farinelli (Director, Fondazione Cineteca di Bologna)

 

Selection of restored prints of the Lumière film festival

The Lumière film festival, a major event of classic cinema, will run from Saturday the 11th to Sunday the 19th of October 2025. It aims again to feature a selection of the finest restorations of heritage films from around the world. Certain titles will subsequently be re-released in theatres or republished on video; others will be presented as events or unique opportunities to experience the works on a big screen.

The festival’s overall programming, and this section in particular, enable the Institut Lumière to reaffirm its commitment and support for the cinema of yesterday and today, paying tribute to its history, celebrating its diversity and richness, while bringing together all those who contribute to its preservation and vitality.

The Lumière Classics label was created to showcase these 20th-century film restorations and encourage the widest possible audience to (re)discover them. The films bearing the label may be included in various festival categories, including in the section “New Restorations” as well as in “Treasures and Curiosities”. The label highlights the extensive work carried out by archives, film libraries, rights holders and foundations who endeavour to restore classic films from the history of cinema, as well as lesser-known films that are equally essential to the worldwide cinematographic landscape.

Archives, film libraries, producers, distributors and studios from all over the world are invited to submit their restored films of the year.

Submitting films:

Are you currently working on or have you recently carried out a restoration?

Send your proposals to be considered for the Lumière film festival’s selection and to obtain the Lumière Classics label.

The deadline for submissions is on Friday 20 June.

Visit Lumière’s website to see the conditions for participation and how to register a film.

 

Festival Lumière (officiel)