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18 June 2013 – With the advent of the Digital, the cinema industry is undergoing a fundamental change As films are being made in a new way, they will have to be archived in a new way: Digital film has to be archived digitally. Film archives need to be well prepared to react on these changes. For this pupopse, ACE has conceived a series of workshops aiming at exchanging best practices and finding solutions how these challenges can be met on a strategic, economic and practical level.
The first workshop with a more general outlook was organised in Bologna in June 2012. It was based on the results of the EU report Challenges of the Digital Era for Film Heritage Institutions
The two half-days workshop « Collecting, Conserving and Exhibiting in a Digital World » will discuss strategies and best practices of digital archiving, setting up digital workflows, new ways of exhibiting film, preservation and training needs and how to share information, services and content.
It will be held on 4th and 5th July during Il Cinema Ritrovato Festival at the Grand Hotel Majestic, Bologna.
The workshop is open for ACE members. For further information and to register, please contact Kerstin Herlt via email@example.com
4 June 2012 – With the entire film industry changing to digital, film archives need to be well prepared if they want to collect, preserve and show both analogue and digital formats. Based on the recommendations of the “ACE Position Paper on the Digital”, ACE is organising a series of 3 – 4 workshops for (higher) management staff of the ACE member archives to discuss strategies how these challenges can be met. The workshops are conceived as forums to discuss the intellectual and practical requirements which come along with digital archiving. The aim is to pool together competences and expertise already existing in the ACE member archives in such fields as archive technology and strategic planning (digitisation planning, training, funding, etc.).
The first workshop, which starts with a general outlook and focuses on the results of the Study “Challenges of the Digital Era for Film Heritage Institutions”, will be held during the Il Cinema Ritrovato Festival in Bologna on Thursday, 28 June 2012. Registration is open to management staff from the ACE member archives. For further information and to register, please see the draft programme.
The second workshop, dedicated to training in digital workflows and digital preservation, will take place at the Danish Film Institute later this year or early 2013. Further workshops will be scheduled and announced in due time.
8 March 2012. During the EFG1914 kick-off meeting on 27/28 February, more than 40 representatives from the 25 partner institutions came together in the German Film Museum in Frankfurt am Main. Among others, film archives from France, Germany, Austria, Hungary, Serbia, Italy, Belgium, Denmark and the Netherlands will digitize up to 650 hours of film – newsreels, documentaries, propaganda and anti-war films – from and about World War I, and make the digitized collections available online through the EFG Portal www.europeanfilmgateway.eu and Europeana (www.europeana.eu). With the Imperial War Museums in London, probably the largest institutional World War I related film collection is part of the project. The films are expected to become available over the next two years, just in time for the 2014 centenary. With EFG1914, a major European co-operation project enters a new phase: During the last three years (2008-2011), The European Film Gateway became a frequently used web portal for finding films and film-related material from the film archives and cinémathèques of Europe, making available more than 500.000 objects to date. Apart from EFG1914, currently two other projects from the Europeana Group are dealing with WWI: Europeana 1914-1918 collecting family memorabilia and Europeana Collections 1914-1918 making available material from national library collections. EFG1914 is co-funded by the Community programme ICT-PSP. Read the EFG1914 press release (en); french version Find more about EFG1914 and its project partners on www.efg1914.eu
4 May 2012 – The 5th edition of the Film Restoration Summer School / FIAF Summer School will take place in Bologna from June to July 2012. The project is organised and hosted by Cineteca di Bologna in collaboration with ACE and FIAF. The main objective of the Summer School is to teach and update participants on how to restore and preserve a film through the use of photochemical and new digital technologies. It is designed for both for archivists and staff working at FIAF archives, and students. For the Festival Edition 2012, ACE awarded a scholarship to five applicants.
Programme and timetable 2012
On-line Distance Learning: 9 May- 20 June (on Wednesdays)
Theory Classes: Bologna, Il Cinema Ritrovato Film Festival, 23 – 30 June
Restoration Practice: Bologna, 2 – 13 July During the internship, participants are supervised by international experts and laboratory staff to put into practice what they learned during their first week of theory.
Please find more information, the full programme and the list of the 36 selected participants here.
For further information, please contact Elena Tammacaro.
The final report of the Study on a Digital Agenda for European Film Heritage is available on-line. The Study was launched in January 2011 to assess the impact of digitisation for European film archives. It has been conducted by peacefulfish Productions Ltd, subcontractors were Red Cat Technologies, the University of Helsinki/IPR University Center and the external expert Nicola Mazzanti. Read the full report Executive summary available in en, fr, de More information on the DAEFH study
19 September 2011 – In January 2011, the European Commission has launched a Study on the challenges of the digital era for film heritage institutions to assess the impact of digitisation for European film archives. A public consultation on the preliminary findings is currently being carried out. A workshop to validate the results of the study will be held on 20 September 2011 in Brussels.
Read the workshop agenda.
19 September 2011 – On 13 and 14 October, film makers, curators and historians, technicians, and producers, will meet at La Cinémathèque Française in Paris to discuss the transition from analogue to digital and its impact on the founding missions of cinematheques : to collect, conserve, restore and show. The symposium will focus on 4 topics:
- The digital revolution today and tomorrow
- Digital filming: writing in sand?
- Restoration and digitisation of collections
- What future for cinematheques?
View the full programme here.
19 September 2011 – The Cinema Experts Group – Subgroup Film Heritage is a platform offered by the Commission’s Audiovisual Policy and Media Unit to present and discuss projects, policies and best practices related to film heritage. This year’s meeting will focus on film heritage online (The European Film Gateway, Europeana), support models for film digitisation and copyright issues. It is hosted by the Cinematek in Brussels .
Read the agenda.